Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time
What it Means To Be Chekhovian: Lively, Innovative, Experimental
The Chimes
Anna Smaill
“I’ve been standing here forever. My arms and legs and head and even my bones are heavy with sleep. Clothes heavy with the rain that won’t stop falling. Shoes heavy with mud.”
Using Crime Fiction to Present Fully Formed Muslim Characters
Ausma Zehanat Khan, Human Rights Activist and Mystery Writer
Interrogating Sentimentality with Leslie Jamison
In Conversation with the Author of The Empathy Exams
Interview with a Bookstore: Heffers Bookshop
Cambridge's Go-To Bookshop is So Old, Someone's Writing Its History Book
No More Dead Mothers: Reading, Writing, and Grieving
After Three Novels, Hannah Gersen Gets Through the Loss of Her Mother
Eleven Hours
Pamela Erens
“No, the girl says, she will not wear the fetal monitoring belt. Her birth plan says no to fetal monitoring.”
On Discovering Real Mothers on the Page
Pamela Erens, Rivka Glachen, Julia Fierro, and writing about motherhood
Tyehimba Jess on Excavating Popular Music Through Poetry
Exploring the Sustenance of Song and Historical Clapbacks
The Assistants
Camille Perri
“You’ve probably heard of my former boss. And even if you haven’t heard of him, he has influenced you, I promise.”
Matthew Griffin: Notes from My Book Tour
In Which the Author Gapes at Former Bachelor Jake Pavelka and Discovers an Ancient Twig House
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