- Michael Ondaatje’s The English Patient has won the Golden Booker, a public poll to determine the best Man Booker Prize winner of the last 50 years (and Ondaatje’s acceptance speech is pretty great). | The Guardian, Lit Hub
- On the slowly changing landscape of romance novels, and the writers of color—like Helen Hoang, Jasmine Guillory, and Mia Sosa—who have broken through. | The New York Times
- One of the most hideously complex group of women in literature: Why Sharp Objects is the ultimate Gillian Flynn novel. | Vulture
- “There will be no more giggling for me.” Maris Kreizman on sexual harassment in publishing and the prescience of Rona Jaffe’s 1958 novel The Best of Everything. | BuzzFeed Reader
- In the New York Public Library’s Berg Reading Room, you can ogle a lock of Walt Whitman’s hair, Mark Twain’s pen, and E. E. Cummings’ death mask—as long as you have an appointment. | The New Yorker
- Archaeologists have discovered what is now believed to be the earliest written record of Homer’s Odyssey—13 verses on a clay slab that dates back to the 3rd century. | The Guardian
- “Why would emerging talents, especially the young people of colour who frequently contact me for advice, want to break into this industry?” Sarah Hagi on the lingering emotional effects of media and publishing layoffs. | Hazlitt
- “Here was a writer who knew she would die and knew that her readers would, too.” Jacob Rubin on giving up literature after a tragedy—and how Mary Gaitskill restored the faith. | Slate
- The number of Americans reading poetry this year increased for the first time since at least 2002—largely thanks to young readers and writers. | PBS
- “I don’t like reading fiction that is very ideologically consistent and where everybody does the right thing all the time. Life isn’t like that.” An interview with Chimamanda Ngozi Adichie. | Vulture
- Is there still a recognizable literature of the American South in 2018? Margaret Renkl speculates its defining feature may be “seeing clearly the failings of home and nevertheless refusing to flee.” | The New York Times
- “You want to be doing something in your life that wakes you up.” Conversations with Friends author Sally Rooney profiles Saoirse Ronan. | Vogue
- “Plath was writing from this secret, shared subterranean place—a place where girls and women let loose all their ‘unacceptable’ feelings.” Megan Abbott on Sylvia Plath and female rage. | The Millions
- “She’s been rediscovered recently, sighted like a specter in the distance.” On forgotten master of the ghost story, Vernon Lee, who George Bernard Shaw argued was as great as Queen Elizabeth I. | JSTOR Daily
- In honor of the 30th anniversary of Die Hard, a look at the 1979 novel that inspired it. | /Film
Also on Lit Hub:
“What happened to America’s inner world?” Dina Nayeri on the hell we’ve built separating children from their parents • Where to start with one of the world’s great writers? Here are 25 Alice Munro stories you can read right now online • “I worry I say too much in interviews.” An interview with Ottesa Moshfegh • Much has changed since the turn of the millennium, but as Nadifa Mohamad looks back at life at Oxford’s last all-women college, much has stayed the same • From Thelma and Louise to the Long Island Lolita, Allison Yarrow looks at that archetypal character of the 1990s, “the Woman in Jeopardy” • Lucy Tan on falling in love with the language she’d spoken as a child • David Lynch has thoughts on the dark side of 1950s suburban America • Samantha Hunt looks back at the ghosts of Brooklyn past • Andrew Martin: “Why I added, then deleted, Trump from my novel” • Not everyone loves Proust. In fact, here are some writers who really don’t • Two of our favorite short story writers talk craft, family, masculinity, and Alice Munro: Jamel Brinkley and Brandon Taylor in conversation • What if we did our book tour by… bicycle? A real thing a writerly couple did (they’re still married!) • On Fiction/Non/Fiction Pamela Paul and Mira Jacob talk literary reboots, American superheroes, journaling, and more. With Whitney Terrell and V.V. Ganeshananthan • Are you ready to laugh? From Jane Austen to Helen Oyeyemi, 20 very funny novels by women • Does the second season of The Handmaid’s Tale want us to empathize with Ivanka Trump? • Aisha Tyler recounts one of the worst night’s of her stand-up comedy life… at a Christian college • If Watergate happened today, it would probably stay secret: Sy Hersh reveals a 1970s Washington that seemed to contain… decency and honor? • How can fiction predict a future that’s already happening? Andromeda Romano-Lax on what it is to speculate • Rachel Heng recommends 5 novels by Singaporean writers you should read • We need a mythic-scale story to tell about climate change, before it’s too late • Writers at the beach! Yes, you too can have the Harukami Murakami “just went out for a casual jog” look
Best of Book Marks:
The first reviews of every Thomas Pynchon novel, with George Plimpton, Salman Rushdie, T. C. Boyle, Michael Chabon, and more weighing in on the work of the most mysterious man in American letters • Francine Prose on five classic books to read and re-read—from Middlemarch to 26
New on CrimeReads:
12 outstanding true crime podcasts to get you through the summer • From F. Scott Fitzgerald to Gillian Flynn, Lucy Atkins showcases ten novels where bad things happen in beautiful places • Sheena Kamal recommends 8 crime novels that challenge us to see the humanity in everyone • Dead Girls author Alice Bolin on obsession, identity, and the new wave of feminist thrillers • Ahead of Thrillerfest, nominees for the International Thriller Award weigh in on the state of the genre • From jazz-age psychopaths to modern-day pirates, the best true crime books to read this July • Wallace Stroby on the romance of the newsroom, the end of an era, and the reporter mystery • Saul Austerlitz on the strange, complicated relationship between the original motorcycle outlaws and the radical left in 1960s California • C.W. Gortner on the Romanovs, the birth of the tabloid era, and the long history of bold and bizarre Romanov impersonators • Ellison Cooper asks whether serial killers are born bad or man-made monsters, and looks at the neurobiology of psychopathy
