Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
News and Culture
Lauren Oyler: Twitter has gotten so crazy... What if my book isn’t crazy enough?
The Author of
Fake Accounts
Talks to Kyle Chayka
By
Kyle Chayka
| February 3, 2021
How a Poetry Collection Masquerading as Buddhist Scripture Nearly Duped the Literary World
”The lioness’s roars of the ancient nuns have been muffled into sweet new-agey purring.”
By
An Tran
| February 3, 2021
Against the All-Consuming Archetype of ‘Mom’
Sarah Langan on the Power of Portraying Mothers as
Whole, Flawed People
By
Sarah Langan
| February 3, 2021
Reading My Way Through a Pandemic with Post-Apocalyptic Literature
Maria Andreu: "Books really do prepare you for the worst, even if it’s not always in the way you think."
By
Maria E. Andreu
| February 3, 2021
What’s the Future of Land as Sea Levels Continue to Rise?
Simon Winchester Talks to Andrew Keen on
Keen On
By
Keen On
| February 3, 2021
On the Many Meanings of
Black Diaspora
Louis Chude-Sokei: “It was accents and curses, uncles and aunties, cousins and endless trips to Western Union.”
By
Louis Chude-Sokei
| February 3, 2021
Best Reviewed
Books of the Week
How Istanbul’s Literature House Bridges a Divide in Contemporary Turkey
By
Jan-Peter Westad
| February 3, 2021
‘You’re on Your Own’: How to Write About an American Crisis
By
David Hardin
| February 3, 2021
Michael Bible on Writing the Sort of Character Who Would’ve Stormed the Capitol
By
Otherppl with Brad Listi
| February 3, 2021
Lena Dunham is writing and directing a film adaptation of
Catherine, Called Birdy
.
By
Walker Caplan
| February 2, 2021
Tired of buying airport books? These airports are installing Little Free Libraries.
By
Walker Caplan
| February 2, 2021
Zachary Levi will star in an adaptation of
Harold and the Purple Crayon.
We have questions.
By
Walker Caplan
| February 2, 2021
Listen to the first ever recording of James Joyce reading from
Ulysses
.
By
Emily Temple
| February 2, 2021
Is Twitter about to become the new Substack?
By
Jonny Diamond
| February 2, 2021
WATCH: Andrew Keen in Conversation with Robert Paarlberg
Live on
Keen On
By
The Virtual Book Channel
| February 2, 2021
Against Perfection in Women’s Media
Gabrielle Korn in Conversation with Jeanna Kadlec
By
Jeanna Kadlec
| February 2, 2021
« First
‹ Previous
584
585
586
587
588
589
590
591
592
Next ›
Last »
Page 588 of 1019
Remember when Celebrated Film Director Otto Preminger Played Mr. Freeze?
November 5, 2025
by
Olivia Rutigliano
Jaime Parker Stickle on Podcasts, Investigations, and Her Strange Journey to Writing a Thriller
November 5, 2025
by
Jaime Parker Stickle
Ice Cream, Elephants, Organs, Death: The Triumphs and Terrors of the 1904 St. Louis World's Fair
November 5, 2025
by
Emily Bain Murphy
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"