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Literary Criticism
For Gothic Heroines, Haunted Houses Are Always Too Big
Jane Healey on Secret Corridors and Impossible Floorplans
By
Jane Healey
| March 16, 2020
Refuge, Gossip, and Revelation on the Private Book Club Circuit
Marjan Kamali on Visiting the Homes of Her Readers
By
Marjan Kamali
| March 13, 2020
What We Can Learn (and Should Unlearn) From Albert Camus's
The Plague
Liesl Schillinger on Catastrophe, Contagion, and the Human Condition
By
Liesl Schillinger
| March 13, 2020
Snobs, Sophisticates, and Scathing Reviews in Wartime London
D.J. Taylor on Cyril Connolly Shepherd of "High Brow" Literature
By
D.J. Taylor
| March 13, 2020
A Close Reading of the Chilling Prologue of Donna Tartt's
The Secret History
"Why, looking for new ferns."
By
Emily Temple
| March 12, 2020
Cultivating Solitude,
The Henry James' Way
On “the lonely celibate who has to boil his own pot.”
By
Fenton Johnson
| March 10, 2020
Best Reviewed
Books of the Week
Pintle, Gudgeon, Chock: On the Rich, Wonderful (and Odd) Vocabulary of Sailing
By
Luis Jaramillo
| March 10, 2020
On Shirley Hazzard and the Antipodean Gaze
By
Michelle de Krester
| March 9, 2020
How Can Palestinian Writers Resist Consumption by Colonial Narratives?
By
George Abraham
| March 6, 2020
How Choose-Your-Own-Adventure Continues to Show Up in Literary Fiction
David Schwartz on the Formal Experimentation of Carmen Maria Machado, Rick Moody, and Julio Cortázar
By
David Lerner Schwartz
| March 5, 2020
The Hidden Power of the Passive Protagonist
Jessi Jezewska Stevens on Characters with Perpetual Potential
By
Jessi Jezewska Stevens
| March 5, 2020
Writing and Confronting Terror in the Form of a Color
Theodore Wheeler's Notes on Blue
By
Theodore Wheeler
| March 5, 2020
The 75 Best One-Star Amazon Reviews of
On the Road
"Like reading Mapquest directions for several hundred pages."
By
Emily Temple
| March 4, 2020
Hilary Leichter on the Derangements of Late Capitalism
Kristin Iversen Talks to the Author of
Temporary
By
Kristin Iversen
| March 3, 2020
What Do We Do with
The Age of Innocence
in 2020?
Sarah Blackwood on the Lasting Insights of Edith Wharton's Classic
By
Sarah Blackwood
| March 3, 2020
On the Paradoxes of Toni Morrison's Catholicism
Nick Ripatrazone Considers the Faith of an American Icon
By
Nick Ripatrazone
| March 2, 2020
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Dane Bahr on Craft and Why Crime Fiction Is the Punk Complement to Literary Fiction
April 21, 2026
by
Dane Bahr
5 Books That Inspired: Marcus Kliewer
April 21, 2026
by
Marcus Kliewer
Joseph Moldover on What Being a Psychologist Taught Him About Writing Crime
April 21, 2026
by
Joseph Moldover
The Best Reviewed Books of the Week
"A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"