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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Film and TV
How Eve Ensler Shaped the Five Wives of
Mad Max: Fury Road
Kyle Buchanan on the Vagina Monologues Creator’s Unique Contribution
By
Kyle Buchanan
| February 24, 2022
Want to see Jane Austen’s film costumes? Take a trip to Cincinnati.
By
Walker Caplan
| February 23, 2022
Older, Grayer, Sober: Aging Alongside the
Jackass
Dudes
Jonathan Russell Clark on the Changing Ethos of Skateboarding Culture
By
Jonathan Russell Clark
| February 23, 2022
Of
Terminator
and Motherhood: Why My Mom’s Franchise Fandom Finally Makes Sense
Aisling Walsh on Hope and Responsibility in a Bleak World
By
Aisling Walsh
| February 22, 2022
Olivia Colman is our new Miss Havisham.
By
Eliza Smith
| February 18, 2022
How a Swedish Whodunnit Speaks to Pandemic Life in Delhi (and the World)
Anandi Mishra on
Anxious People
in Times of Crisis
By
Anandi Mishra
| February 18, 2022
Best Reviewed
Books of the Week
How Buster Keaton Became a Cinematic Superstar
By
James Curtis
| February 18, 2022
David Wright Faladé on the Case for Civil War Revisionism in Film and Literature
By
David Wright Faladé
| February 15, 2022
Let's take a tour of Salman Rushdie's IMDb page.
By
Jessie Gaynor
| February 14, 2022
In the Resurgence of Folk Horror, We Are the Villains
Michelle Nijhuis on
Woodlands Dark and Days Bewitched:
A History of Folk Horror
By
Michelle Nijhuis
| February 14, 2022
Bless This Sex: On Dating Shows and the Touch We Want to Remember
K Chiucarello Finds Moments of Solace in
Love is Blind
By
K Chiucarello
| February 14, 2022
Death on the Nile
is Predictably Cursed by Its Troublesome Cast
Despite Branagh’s Best Efforts, the New Agatha Christie Adaptation Soured on the Shelf
By
Marah Eakin
| February 11, 2022
Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy
In Conversation with Andrew Keen on
Keen On
By
Keen On
| February 11, 2022
Reality TV is Getting Boring Again—and Maybe That’s a Good Thing
Danielle J. Lindemann Traces the Genre’s Boomeranging Evolution
By
Danielle J. Lindemann
| February 10, 2022
On the Coen Brothers’ Bitter, Brokenhearted Noir,
Miller’s Crossing
Olivia Rutigliano Reflects on the Classic Gangster Film as It Heads to the Criterion Collection
By
Olivia Rutigliano
| February 9, 2022
Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure
“It was almost funny, except it wasn’t.”
By
Georgia Pritchett
| February 9, 2022
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Page 44 of 88
7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"