Literary Hub » Film and TV

Steven Spielberg’s <em>The Fabelmans</em> is a Beautiful Memory

Steven Spielberg’s The Fabelmans is a Beautiful Memory

The Director’s Autobiographical Film is Humble, Loving, and Mostly About Other People

By Olivia Rutigliano | November 23, 2022

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating <em>Ivy and Bean</em>

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating Ivy and Bean

How the Book Series (and Netflix Films) Became a Time Capsule and Refuge

By Annie Barrows | November 23, 2022

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

Lessons from a Lifetime of Making Art

By Joyce Chopra | November 23, 2022

The Teenage Cannibal Movie for Our Time? <em>Bones and All</em> Ate Me Right Up

The Teenage Cannibal Movie for Our Time? Bones and All Ate Me Right Up

Luca Guadagnino’s Adaptation of Camille DeAngelis’s Novel is Rich, Sad, and All-Consuming

By Olivia Rutigliano | November 22, 2022

Rereading <em>White Noise</em> and Feeling Deep Dread... For Noah Baumbach’s Adaptation

Rereading White Noise and Feeling Deep Dread... For Noah Baumbach’s Adaptation

Ken Gordon is Very Skeptical About Seeing Don DeLillo on Film

By Ken Gordon | November 22, 2022

<em>She Said</em> Is an Effective, Respectful Journalism Movie

She Said Is an Effective, Respectful Journalism Movie

The Film Constructively, Caringly Reenacts Jodi Kantor and Megan Twohey’s Investigation into the Crimes of Harvey Weinstein

By Olivia Rutigliano | November 18, 2022

Best Reviewed
Books of the Week

Finding a Hero in Wednesday Addams as a Closeted and Neurodivergent Tween

By Aisling Walsh | November 18, 2022

In Sebastián Lelio’s Adaptation of The Wonder, Stories Can Kill

By Michelle Nijhuis | November 18, 2022

The New Adaptation of Fleishman Is in Trouble Knows What to Do with Its Extra Space

By Jessie Gaynor | November 16, 2022

Sofia Coppola in Praise of Edith Wharton’s Beloved Antiheroine, Undine Spragg

Sofia Coppola in Praise of Edith Wharton’s Beloved Antiheroine, Undine Spragg

“We watch her like a car crash while at the same time we root for her.”

By Sofia Coppola | November 15, 2022

<em>Shuggie Bain</em> is coming to TV.

Shuggie Bain is coming to TV.

By Dan Sheehan | November 14, 2022

Cary Grant as <em>The Acrobat</em>: A Novel About the Hollywood Comic Star Whose Best Joke Was That He Didn’t Really Exist

Cary Grant as The Acrobat: A Novel About the Hollywood Comic Star Whose Best Joke Was That He Didn’t Really Exist

Edward J. Delaney in Conversation with Andrew Keen on Keen On

By Keen On | November 14, 2022

Rogue, Hero, Icon: On Paul Newman’s Taste for Literary Adaptations

Rogue, Hero, Icon: On Paul Newman’s Taste for Literary Adaptations

Nicole Miller Considers the Actor's Interpretations of American Archetypes

By Nicole Miller | November 11, 2022

Sounding like every writer I know, Charlie Hunnam wants to focus more on his writing.

Sounding like every writer I know, Charlie Hunnam wants to focus more on his writing.

By Jonny Diamond | November 9, 2022

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking <em>Bones and All</em> from Page to Screen

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

In Conversation at the Inaugural Refocus Film Festival

By Literary Hub | November 9, 2022

Hugh Bonneville on His Illustrious <em>Downton Abbey</em> Castmate, Maggie Smith

Hugh Bonneville on His Illustrious Downton Abbey Castmate, Maggie Smith

“We all knew Highclere Castle was the lead character. And we all knew that Maggie Smith ran a pretty close second.”

By Hugh Bonneville | November 9, 2022

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