After <em>How to with John Wilson</em>, Will More Filmmakers Use the Tools of Lyric Essay?

After How to with John Wilson, Will More Filmmakers Use the Tools of Lyric Essay?

Matthew King on the Genre-Bending Portrait of Public Life

By Matthew King | March 14, 2022

A new story collection is coming from George Saunders.

A new story collection is coming from George Saunders.

By Walker Caplan | March 11, 2022

In <em>The Last Days of Ptolemy Grey,</em> Samuel L. Jackson Plays the Role of a Lifetime

In The Last Days of Ptolemy Grey, Samuel L. Jackson Plays the Role of a Lifetime

Olivia Rutigliano on the New Adaptation of Walter Mosley’s Novel

By Olivia Rutigliano | March 11, 2022

<em>The Batman</em> is a Dark and Fascinating Riddle

The Batman is a Dark and Fascinating Riddle

Matt Reeves’s New Film is First and Foremost a Detective Story

By Olivia Rutigliano | March 11, 2022

Bring Back the Vibes of <em>Howards End</em>, You Cowards

Bring Back the Vibes of Howards End, You Cowards

On the Film's 30th Anniversary, Sara Batkie Praises Merchant Ivory's Blueprint

By Sara Batkie | March 11, 2022

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

From Season Three of Poetry in America

By The Virtual Book Channel | March 11, 2022

Best Reviewed
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  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

Abbott Elementary is bringing free book fairs to underfunded schools.

By Literary Hub | March 10, 2022

Why All of Ashley C. Ford’s Comfort Movies Are Sad

By Open Form | March 10, 2022

Ben Affleck just looks confused in the trailer of Deep Water.

By Dan Sheehan | March 8, 2022

Here’s <em>Fire Island</em>, the star-studded, gay adaptation of <em>Pride and Prejudice</em>.

Here’s Fire Island, the star-studded, gay adaptation of Pride and Prejudice.

By Walker Caplan | March 8, 2022

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

"Writing a TV show is a team sport from day one."

By Amanda Pellegrino | March 8, 2022

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

“For the first time, I’m finally getting film roles where my character’s name is Korean.”

By Jeff Yang, Phil Yu, and Philip Wang | March 7, 2022

Reading Rainbow is coming—this time, without LeVar Burton.

Reading Rainbow is coming—this time, without LeVar Burton.

By Walker Caplan | March 4, 2022

The Literary Film and TV You Need to Stream in March

The Literary Film and TV You Need to Stream in March

It’s a Big One, Folks

By Eliza Smith | March 4, 2022

Joachim Trier Isn’t Afraid of Virginia Woolf

Joachim Trier Isn’t Afraid of Virginia Woolf

Meg Walters on the Woolfian Spirit of The Worst Person in the World

By Meg Walters | March 4, 2022

Does Success Justify Abandonment? Min Jin Lee on <em>Cinema Paradiso</em> and the Artist's Life

Does Success Justify Abandonment? Min Jin Lee on Cinema Paradiso and the Artist's Life

The Author of Pachinko in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 3, 2022

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