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Film and TV
There's a trailer for Netflix's new Jane Austen adaptation . . . and the internet haaaaates it.
By
Emily Temple
| June 15, 2022
From
Garfield
to
Black Panther
: Nnedi Okorafor on the Power of Comics
“My path to writing the big black cat started with a fat orange cat.”
By
Nnedi Okorafor
| June 14, 2022
How to Fit Balzac’s Magnificent Universe Onto the Big Screen?
Drew Johnson on
Lost Illusions
(1843) and
Lost Illusions
(2021)
By
Drew Johnson
| June 13, 2022
It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance
“
But what if the problem
, I said,
is capitalism?
”
By
Anwen Crawford
| June 13, 2022
A24 is pivoting to children's books.
By
Katie Yee
| June 9, 2022
Mira Jacob on
Mississippi Masala
and Discovering Herself on Screen
This Week on the
Open Form
Podcast
By
Open Form
| June 9, 2022
Best Reviewed
Books of the Week
Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood
By
Greg Marshall
| June 9, 2022
When Rob Reiner’s Alter Ego (Harry) Met Nora Ephron’s Alter Ego (Sally)
By
Kristin Marguerite Doidge
| June 8, 2022
Albert Serra’s
Pacifiction
is Deeply Unsettling—and Deeply Literary
By
Ryan Coleman
| June 8, 2022
Claire Denis’s
Stars at Noon
is a Cunning Improvement on the Source Material
From Cannes, Ryan Coleman Considers the French Filmmaker's Adaptation of Denis Johnson’s Novel
By
Ryan Coleman
| June 8, 2022
Is Noah Baumbach’s Netflix adaptation of Don DeLillo’s
White Noise
cursed?
By
Jonny Diamond
| June 7, 2022
We Were Dreamers
by Simu Liu, Read by the Author
Discover the Marvel Actor’s Story
By
Behind the Mic
| June 7, 2022
The Literary Film and TV You Need to Stream in June
Featuring George Saunders, a Queer
Pride and Prejudice
, and More
By
Eliza Smith
| June 3, 2022
How
Hacks
Captures the Disconnect Between Two Generations of Feminism
Alison B. Hart on the Sophomore Season of HBO Max’s Biting Comedy
By
Alison B. Hart
| June 3, 2022
Stephen King has some thoughts for the writers of
Stranger Things.
By
Jonny Diamond
| June 2, 2022
It’s a Man’s Art World: The Centuries-Long Struggle of the Leading Lady in
Rocco and His Brothers
Laura Valenza on How Women in Italian Modern Art Become Symbolic of National Crisis
By
Laura Valenza
| June 2, 2022
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Page 39 of 90
Halle Berry Will Play the President of the United States in
The President is Missing
February 4, 2026
by
Olivia Rutigliano
Why Horror Is the Perfect Genre for Processing Trauma
February 4, 2026
by
Christina Ferko
The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)
February 4, 2026
by
Marisa Walz
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"
