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Film and TV
A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"">
A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"">
A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"">"If
A Clockwork Orange
Can Corrupt, Why Not Shakespeare and the Bible?"
Anthony Burgess on the Reception of Kubrick's Film Adaptation
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Anthony Burgess
| May 30, 2018
The Inherent Anxiety of the "Good Cop" Show
Brooklyn Nine-Nine
is Beloved, but Its Premise Raises a Big Question
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Eric Thurm
| May 21, 2018
The Sublime, Ugly Agony of Patrick Melrose
Benedict Cumberbatch shines in the new Showtime adaptation
By
Emily Temple
| May 14, 2018
The 20 Best Literary Adaptations to Watch on Netflix Tonight
On the Off-Chance You're Tired of Reading
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Emily Temple
| May 4, 2018
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By
Emily Temple
| May 1, 2018
If Reality TV is Superficial, Why Does It Make Me Feel So Much?
"I Don’t Have the Confidence to Call What I Love Bad and Still Love It"
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200 Years of
Frankenstein
On Stage and Onscreen
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The Strange Cinematic History of
Dr. Jekyll and Mr. Hyde
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Craig Hubert
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Do You Want This in Iambic Pentameter?
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It's Time for TV to Eat the Rich
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Is the Quest for an Ethical Reality Show Doomed?
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UnREAL, The Bachelor,
and
Vanderpump Rules
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Eric Thurm
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If They Gave Oscars to Books, Our 2017 Nominees
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Will Iain M. Banks's Bonkers Space Opera Novels Work On Screen?
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Leigh Bardugo on 50 Years of 'Interview with the Vampire' and the Immortality of Anne Rice's Lestat
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"The plot here like the plots in the previous three Mandel novels I've read is…"