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Film and TV
Why Are We Obsessed with Onscreen Bloodletting?
A Brief History of Gore, Splatter, and the Art of Fake Blood
By
Tyler Malone
| October 31, 2017
Learning the Hard Way That Writing a Book is Not Like Writing for TV
Evany Rosen on Assembling Her Own Personal Writers Room
By
Evany Rosen
| October 25, 2017
I'll See You in Berlin: Xiaolu Guo on a Fresh Start in a New City
"I Wanted to Shoot myself out of London and Everything Else Forever"
By
Xiaolu Guo
| October 12, 2017
Where Can the Literary Documentary Go From Here?
What Four Offerings from the NYFF Say About the State of the Genre
By
Craig Hubert
| September 29, 2017
What Can Comedy News Shows Actually Accomplish?
The Frisson of Political Participation Without the Risk of Genuine Solidarity
By
Dawn Herrera Helphand
| September 20, 2017
Hanging Out with Pennywise and My Grandmother's Ghost
Kayla Rae Whitaker on Finding Comfort in IT as a Child
By
Kayla Rae Whitaker
| September 11, 2017
Best Reviewed
Books of the Week
I Watched the Entire Hot Shakespeare Show So You Don't Have To
By
Eric Thurm
| September 8, 2017
Rebel in the Rye
is Bad for Writers
By
Emily Temple
| September 8, 2017
Too Smart or Too Pretty? The Anne of Green Gables Paradox
By
Elisa Gabbert
| August 29, 2017
Is
The Dark Tower
the Worst Stephen King Movie Ever?
On Solipsistic Storytelling and the Limits of King-as-Genre
By
J.W. McCormack
| August 11, 2017
Tolkien and Salinger: Basically Twins
And Other Literary Film and TV News from this Week
By
Emily Temple
| July 28, 2017
Agatha Christie Is Taking Over All Your Screens
And Other Literary Film and Television News
By
Emily Temple
| July 21, 2017
Blood on the Big Screen: A Lady Macbeth Who Does the Killing
An Adaptation of an Adaptation of the Scottish Play
By
Emily Temple
| July 18, 2017
Black Mirror
to be a Book, Shakespeare to be a Punk
The Week in Literary Film & TV News
By
Emily Temple
| June 16, 2017
Ta-Nehisi Coates is Writing a Movie & Terry Gilliam Might Finish
Don Quixote
The Week in Literary Film & TV News
By
Emily Temple
| June 9, 2017
Every Ending is a Kind of Apocalypse: On Belief and
The Leftovers
We want our fiction, like our lives, to end with revelation
By
Emily Harnett
| June 6, 2017
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Page 112 of 117
100 Years of Russian Espionage in the U.S.
July 23, 2026
by
Robert McCaw
How AI Deepfakes Are Changing the Rules of Crime Fiction
July 23, 2026
by
Dervla McTiernan
Cliff Dorfman on Crime Families, Loyalty, and Rooting for the Bad Guys in Fiction
July 23, 2026
by
Cliff Dorfman
The Best Reviewed Books of the Week
"Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"