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An Oddly Poetic Account of Colorblindness from the Turn of the Last Century

An Oddly Poetic Account of Colorblindness from the Turn of the Last Century

the music of light."">"We may aptly term color the music of light."

By Emily Noyes Vanderpoel | January 10, 2019

Why Does Women's Writing About Relationships Need to be “Relatable”?

Why Does Women's Writing About Relationships Need to be “Relatable”?

Hint: It's a Word Men Use to Describe Their Writing in Order to Diminish It

By Blythe Roberson | January 10, 2019

The Unexpected Literary Pleasure of Marijuana Reviews

The Unexpected Literary Pleasure of Marijuana Reviews

Walk With Us Through a Transcendent Corner of the Internet

By Taylor Lannamann | January 9, 2019

Marcel Proust Was Almost Impossible to Edit

Marcel Proust Was Almost Impossible to Edit

Carol Clark on the Challenges of Editing and Translating The Prisoner

By Carol Clark | January 8, 2019

On the Freaky Foods of Fictional Worlds

On the Freaky Foods of Fictional Worlds

From Abundance to Scarcity, What Eating in Sci-Fi Says About the Real World

By Lizzy Saxe | January 7, 2019

Toward an Expanded Canon of Black Literature

Toward an Expanded Canon of Black Literature

How Some Black Writers Live, and Some Die

By Mateo Askaripour | January 3, 2019

Best Reviewed
Books of the Week

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  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Reading Feminist Futurism in the Age of the “Female” Virtual Assistant

By Samantha Edmonds | January 3, 2019

On Dickens’ Demons and Weird Relationship with Christmas

By Robert Douglas-Fairhurst | December 20, 2018

What Happened to the Original Version of The Waste Land?

By Christopher Ricks and Jim McCue | December 19, 2018

Can the Establishment Embrace its Critics?

Can the Establishment Embrace its Critics?

Alejandro Zambra and Preti Taneja on
Authority, Shakespeare, Neoliberalism and More

By Alejandro Zambra and Preti Taneja | December 19, 2018

Stop Trying to Make <i>Pride and Prejudice</i> a Christmas Story

Stop Trying to Make Pride and Prejudice a Christmas Story

It's Not, No Matter What Hallmark Does

By Devoney Looser | December 17, 2018

On Sylvia Plath and the Many Shades of Depression

On Sylvia Plath and the Many Shades of Depression

Gabrielle Bellot Considers How a Writer's Work is Measured Against Her Death

By Gabrielle Bellot | December 13, 2018

Oliverio Girondo's Absurd Cosmopolitan World

Oliverio Girondo's Absurd Cosmopolitan World

Meet the Flamboyant Poet of the Argentine Avant-Garde

By Harris Feinsod and Rachel Galvin | December 13, 2018

Rewriting Trauma: The Business of Storytelling in the Age of the Algorithm

Rewriting Trauma: The Business of Storytelling in the Age of the Algorithm

Screenwriter James Schamus on What Goes Into the TV You're Binge-Watching

By James Schamus | December 12, 2018

On James Baldwin's Dispatches from the Heart of the Civil Rights Movement

On James Baldwin's Dispatches from the Heart of the Civil Rights Movement

The Making of an Iconic Essayist

By Ed Pavlić | December 10, 2018

Poet of the Disappeared: On the Writing of Raúl Zurita

Poet of the Disappeared: On the Writing of Raúl Zurita

"There is power and agency in staying in a dangerous place when one has the choice to leave."

By Norma Cole | December 7, 2018

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    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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