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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Interview With a Gatekeeper: Nan Talese
From Random House's First Female Literary Editor to Her Own Imprint
By
Kerri Arsenault
| September 7, 2016
Hitler's Dog, and Other Problems of Historical Fiction
Peter Ho Davies on the challenges (and opportunities) of mining the past
By
Peter Ho Davies
| September 7, 2016
On Writing, Parenthood and Trying to Stay a Little Wild
Laura Cronk on the Ways that Her Children Have and Haven't Changed Her Work
By
Laura Cronk
| September 2, 2016
The Editor Inside My Head is a Cruel and Demanding S.O.B.
Michael Koryta on Craft and the Notes He Leaves for Himself
By
Michael Koryta
| September 2, 2016
Lucia Berlin: Writing Advice and More in This Never-Before Published Interview
On Form, Style, POV and Whether or Not It Really Happened...
By
Literary Hub
| September 1, 2016
How to Reject a Writer, and Other Advice For Editors
On Dealing with "Acid-Sucking Pieces of Illiterate Shit" and Holding the Poetry Editor's Penis
By
Terry McDonell
| September 1, 2016
Best Reviewed
Books of the Week
Who Gets to Decide What Counts as “English”?
By
Gabrielle Bellot
| August 31, 2016
Becoming a Writer Means Becoming a Cliché
By
Odie Lindsey
| August 31, 2016
Spread the Word: On Small Presses and the Fight for Publicity
By
Ilana Masad
| August 30, 2016
I Love Soap Operas (And They Made Me a Better Writer)
Deborah Shapiro on the Genre's Throwback Novelistic Qualities
By
Deborah Shapiro
| August 29, 2016
How to Write Coincidence the Right Way
From E.M. Forster to Flannery O'Connor, how writers manipulate all of us
By
Alice Mattison
| August 26, 2016
How a Self-Published Writer of Gay Erotica Beat Sci-Fi's Sad Puppies at their Own Game
And What it Taught Me About Pushing through Writer's Block
By
M. Sophia Newman
| August 26, 2016
Why Can't Irish Writers Escape the Sea?
Brendan Mac Evilly Goes in Search of a Nice Spot to Swim
By
Brendan Mac Evilly
| August 26, 2016
Who Am I: Writer or Bookseller?
Here’s a book Ben wrote. He works here. If you don’t buy it, he might cry.
By
Benjamin Rybeck
| August 25, 2016
There is No Secret to Writing About People Who Do Not Look Like You
Brandon Taylor on the Importance of Empathy As Craft
By
Brandon Taylor
| August 25, 2016
Five Reasons Why Writers Should Move to Columbus
Forget New York and Get Yourself West to Ohio
By
Annie McGreevy
| August 25, 2016
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Page 245 of 258
We're Finally Able to Watch the Coveted
Kill Bill
Single Cut
November 10, 2025
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Olivia Rutigliano
The Power of Creating Fictional Characters Who Aren't What They Seem
November 10, 2025
by
Sheila Roberts
10 New Books Coming Out This Week
November 10, 2025
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CrimeReads
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"