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Cecelia Ahern on How She Writes<br> a Novel a Year

Cecelia Ahern on How She Writes
a Novel a Year

The Author of ROAR on Finding Creativity in Structure

By Cecelia Ahern | April 16, 2019

Prepping for MFA Programs as <br>a Person of Color

Prepping for MFA Programs as
a Person of Color

"Will this be a mistake?"

By Hebah Uddin | April 15, 2019

How What I've Learned as an Actor Can Apply to Storytelling

How What I've Learned as an Actor Can Apply to Storytelling

Brett Paesel on Letting Emotional Logic Do the Work

By Brett Paesel | April 12, 2019

When a First-Person Narrator Sneaks Into Your Story

When a First-Person Narrator Sneaks Into Your Story

Jennifer duBois on the Emergent 'I'

By Jennifer duBois | April 11, 2019

When a Reader Figures Out What Your Book is <em>Actually</em> About

When a Reader Figures Out What Your Book is Actually About

Marcia Butler on Coming to Terms with Her Lifelong Dream Coming True

By Marcia Butler | April 10, 2019

Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading

Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading

Channel Obama. Perform. Drink if You Must.

By Viet Thanh Nguyen | April 9, 2019

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Even My Imaginary Male Muses
Don't Measure Up

By Jen Mediano | April 9, 2019

The Best Argument is a Good Book: Writing Advice from Saul Bellow

By Emily Temple | April 5, 2019

What John Hughes Taught Me About
the Importance of a Name

By Sloane Tanen | April 4, 2019

Unsilencing the Writing Workshop

Unsilencing the Writing Workshop

Students Might Learn More and Hate it Less if They Talk About Their Own Work

By Beth Nguyen | April 3, 2019

Jenni Fagan:

Jenni Fagan: "If a Poem Wants Written at 3 am I Get Up."

On the Urgency and Necessity of Writing Poetry

By Jenni Fagan | April 3, 2019

Why, Exactly, Do We Have Subtitles on Books?

Why, Exactly, Do We Have Subtitles on Books?

Mary Laura Philpott, Out Here Asking the Tough Questions

By Mary Laura Philpott | April 2, 2019

Why Don't More Writers Become<br> Public School Teachers?

Why Don't More Writers Become
Public School Teachers?

Belle Boggs on a Career in the Classroom

By Belle Boggs | April 2, 2019

How to Cuss Like No One's Listening

How to Cuss Like No One's Listening

Katherine Dunn on the Importance of Specificity in Swearing

By Katherine Dunn | April 1, 2019

Working Mothers, Let Go of Your Guilt

Working Mothers, Let Go of Your Guilt

Polly Rosenwaike on Motherhood, a Job Like Any Other

By Polly Rosenwaike | April 1, 2019

An Afternoon at María Gainza's<br> Buenos Aires Home

An Afternoon at María Gainza's
Buenos Aires Home

Talking About Art, Criticism, and Autofiction

By Nathan Scott McNamara | March 31, 2019

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    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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