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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Learning How to Write Girls with Agency in Fiction
Stephanie Jimenez: Imagining Girlhood Beyond the Threat
of Sexual Violence
By
Stephanie Jimenez
| July 29, 2019
Why Don't I Read All My Books?
Karen Olsson on the Ghosts on Her Shelves
By
Karen Olsson
| July 26, 2019
In the Woods: Telling the Finnish-American Immigrant Story
Karl Marlantes on the Hardworking Lives of His Ancestors
By
Karl Marlantes
| July 23, 2019
Writing Through Extreme Grief Helped Me Become Myself Again
Margaret Renkl on the Unexpected Catalyst for Writing Her First Book
By
Margaret Renkl
| July 19, 2019
On the Fine (and Difficult) Art of Science Writing
Randi Hutter Epstein: When Even Science Isn't An Exact Science
By
Randi Hutter Epstein
| July 17, 2019
How
General Hospital
Inspired My New Novel
Why Marcy Dermansky is Not Afraid to Mess With Her Characters
By
Marcy Dermansky
| July 11, 2019
Best Reviewed
Books of the Week
The Liberation and Consternation of Writing a Whole Book with Paper and Pen
By
Jeff Gordinier
| July 10, 2019
How Fiction Fuses the Incompatible Realities of Religion and Comedy
By
Randy Boyagoda
| July 9, 2019
When the World Matches the Apocalypse in Your Novel
By
Kimi Eisele
| July 8, 2019
What Fiction Writers Can Learn from Stage Magicians
Gabriel Urza on the Literary Virtues of Defamiliarization
By
Gabriel Urza
| July 1, 2019
Working on a Novel About an Artist? Write Like a Painter
Kummer on Picasso, van Gogh, Hopper, and the
Painterly Art of Observation
By
Luke Jerod Kummer
| July 1, 2019
Alix Ohlin: How to Write—and Not—About the Struggle to Have a Child
On Motherhood, Fertility, and Gendered Readings of Women's Books
By
Alix Ohlin
| June 26, 2019
I Read One Hundred Books
Just to Write One
Heather O'Neill on the Compulsive Joy of Endless Research
By
Heather O'Neill
| June 26, 2019
How We Fictionalize Anger to Understand the World
Rachel DeWoskin on the Literary and Political Value of Rage
By
Rachel DeWoskin
| June 24, 2019
What Anne Sexton Taught Me About... Self-Promotion
Joy Lanzendorfer on Balancing Social Anxiety and the Need for Writerly Networking
By
Joy Lanzendorfer
| June 18, 2019
Jayson Greene on the Risks of Writing About Grief
"The worst stories are the self-serving ones."
By
Hannah Seidlitz
| June 17, 2019
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Page 205 of 256
The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. Berry
October 24, 2025
by
Polly Stewart
Guillermo del Toro's New
Frankenstein
Adaptation is Life-Giving
October 24, 2025
by
Olivia Rutigliano
Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His Work
October 23, 2025
by
Stephen King
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"