How Archivists Uncover the Clues to History

How Archivists Uncover the Clues to History

Isaac Fellman on Finding “Curiosity, Delight, Humor, and Desolation”

By Isaac Fellman | February 22, 2022

How Writing a Children’s Book is an Antidote to Doomsday Thinking

How Writing a Children’s Book is an Antidote to Doomsday Thinking

Ben Okri on Imagining the Impossible

By Ben Okri | February 22, 2022

Joy Lanzendorfer on the Gendered Double Standard of Ambition

Joy Lanzendorfer on the Gendered Double Standard of Ambition

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | February 22, 2022

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

The Author of The Swimmers Talks to Jane Ciabattari

By Jane Ciabattari | February 22, 2022

How Deanna Raybourn (Reluctantly) Started Writing Historical Fiction

How Deanna Raybourn (Reluctantly) Started Writing Historical Fiction

In Conversation with C. P. Lesley on the New Books Network

By New Books Network | February 18, 2022

Brendan Slocumb on Racism in the Classical Music World

Brendan Slocumb on Racism in the Classical Music World

This Week on the Book Dreams Podcast

By Book Dreams | February 17, 2022

Best Reviewed
Books of the Week

  • In the Days of My Youth I Was Told What It Means to Be a Man: A Memoir
  • Nonesuch
  • Whidbey
  • A Scandal in Königsberg
  • The Quantity Theory of Morality
  • Partially Devoured: How Night of the Living Dead Saved My Life and Changed the World

Why Julia May Jonas Didn’t Name Her Main Character

By The Maris Review | February 17, 2022

Sheila Heti on Feeling Estranged from the Facts of Existence

By Otherppl with Brad Listi | February 17, 2022

Deep, Deep Time: On the “Cosmic Realism” of Kathryn Davis

By Anthony Domestico | February 16, 2022

“Dialogue is Embarrassing.” Sarah Manguso on Finally Writing a Novel

“Dialogue is Embarrassing.” Sarah Manguso on Finally Writing a Novel

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | February 16, 2022

What Science Journalism Taught Me About Writing Fiction

What Science Journalism Taught Me About Writing Fiction

Sara Goudarzi on Shifting Gears Between Fact and Fiction

By Sara Goudarzi | February 14, 2022

Anahid Nersessian’s Close Reading of Keats’s “Ode on a Grecian Urn”

Anahid Nersessian’s Close Reading of Keats’s “Ode on a Grecian Urn”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 14, 2022

Live at the Red Ink Series: On Loneliness in the Writing Life

Live at the Red Ink Series: On Loneliness in the Writing Life

Featuring Kristen Radtke, Amy Leach, Jane Wong, and Dana Spiotta

By Literary Hub | February 14, 2022

Matthew Specktor on the Cultural Memory of Los Angeles

Matthew Specktor on the Cultural Memory of Los Angeles

This Week from the Big Table Podcast with JC Gabel

By Big Table | February 14, 2022

Chuck Klosterman on Writing Criticism for a Wide Audience

Chuck Klosterman on Writing Criticism for a Wide Audience

“My style is no style, which I think is the best style.”

By Chuck Klosterman | February 11, 2022

How Narrative Therapy Can Help Us Take Ownership of Our Stories

How Narrative Therapy Can Help Us Take Ownership of Our Stories

Veronica Esposito on Finding the Connections in Human Experiences

By Veronica Esposito | February 11, 2022

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