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  • Craft and Criticism
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The Unique Pleasures of Letter-Writing in a Era of Impulsive Interaction

The Unique Pleasures of Letter-Writing in a Era of Impulsive Interaction

Jackie Polzin on the Focused, Private Connections of
Good Correspondence

By Jackie Polzin | April 2, 2021

Melissa Febos on How Patriarchy and Capitalism Conspire Against Women

Melissa Febos on How Patriarchy and Capitalism Conspire Against Women

Elizabeth Lothian Talks with the Author of Girlhood

By Elizabeth Lothian | April 2, 2021

The Addict as Archaeologist: Telling the Hard Stories of Family Tragedy

The Addict as Archaeologist: Telling the Hard Stories of Family Tragedy

Steven Wingate on the Long Journey to His Latest Novel

By Steven Wingate | April 2, 2021

How Do Writers Without Access to Books Develop a Craft?

How Do Writers Without Access to Books Develop a Craft?

Sulaiman Addonia on the Lessons of Displacement

By Sulaiman Addonia | April 1, 2021

Jo Ann Beard: What We're Writing When We Write Personal Essays

Jo Ann Beard: What We're Writing When We Write Personal Essays

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 1, 2021

Inside the Long Friendship of James Merrill and<br> Elizabeth Bishop

Inside the Long Friendship of James Merrill and
Elizabeth Bishop

“Your long wonderful letter is here today.”

By James Merrill | April 1, 2021

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

This Must Be the Place: On the Transcendent Refuge of the Musical Past

By Dawnie Walton | April 1, 2021

Why I Decided to Write Fiction and Publish a Debut Novel
in My 80s

By Orville Schell | April 1, 2021

The Anxiety of Influence: On the Few Books I Was Able to Read While Writing My Own

By Marcia Butler | April 1, 2021

On the Valuable Writing Lessons I Learned as a Television Reporter

On the Valuable Writing Lessons I Learned as a Television Reporter

“I’m conscious of the economy of words, never saying more than what’s necessary.”

By Nancy Johnson | April 1, 2021

Writing a Novel in Prison. In 30 Days. During a Pandemic.

Writing a Novel in Prison. In 30 Days. During a Pandemic.

Marya Brennan on Community and Creative Connection

By Marya Brennan | March 31, 2021

Hala Alyan: Which Comes First—the Characters or the Politics?

Hala Alyan: Which Comes First—the Characters or the Politics?

This Week on the Reading Women Podcast

By Reading Women | March 31, 2021

On the Narrative Thrills of Detective Fiction

On the Narrative Thrills of Detective Fiction

Amanda Dennis Unpacks the Inspiration for Her Debut Novel

By Amanda Dennis | March 31, 2021

Gabriela Garcia on the Interplay Between Literature and Class Consciousness

Gabriela Garcia on the Interplay Between Literature and Class Consciousness

The Author of Of Women and Salt Talks to Jane Ciabattari

By Jane Ciabattari | March 30, 2021

A Room of One’s Own Sounds Great... But What If You're a Mom?

A Room of One’s Own Sounds Great... But What If You're a Mom?

Ilona Bannister on the Fantasy of Compartmentalization

By Ilona Bannister | March 30, 2021

Bridged: How the Art of Writing Can Close the Divide Between Worlds

Bridged: How the Art of Writing Can Close the Divide Between Worlds

Jennifer De Leon on Mother-Daughter Relationships and the Power of Memory

By Jennifer De Leon | March 29, 2021

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Page 173 of 256
    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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