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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
The Unique Pleasures of Letter-Writing in a Era of Impulsive Interaction
Jackie Polzin on the Focused, Private Connections of
Good Correspondence
By
Jackie Polzin
| April 2, 2021
Melissa Febos on How Patriarchy and Capitalism Conspire Against Women
Elizabeth Lothian Talks with the Author of
Girlhood
By
Elizabeth Lothian
| April 2, 2021
The Addict as Archaeologist: Telling the Hard Stories of Family Tragedy
Steven Wingate on the Long Journey to His Latest Novel
By
Steven Wingate
| April 2, 2021
How Do Writers Without Access to Books Develop a Craft?
Sulaiman Addonia on the Lessons of Displacement
By
Sulaiman Addonia
| April 1, 2021
Jo Ann Beard: What We're Writing When We Write Personal Essays
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| April 1, 2021
Inside the Long Friendship of James Merrill and
Elizabeth Bishop
“Your long wonderful letter is here today.”
By
James Merrill
| April 1, 2021
Best Reviewed
Books of the Week
This Must Be the Place: On the Transcendent Refuge of the Musical Past
By
Dawnie Walton
| April 1, 2021
Why I Decided to Write Fiction and Publish a Debut Novel
in My 80s
By
Orville Schell
| April 1, 2021
The Anxiety of Influence: On the Few Books I Was Able to Read While Writing My Own
By
Marcia Butler
| April 1, 2021
On the Valuable Writing Lessons I Learned as a Television Reporter
“I’m conscious of the economy of words, never saying more than what’s necessary.”
By
Nancy Johnson
| April 1, 2021
Writing a Novel in Prison. In 30 Days. During a Pandemic.
Marya Brennan on Community and Creative Connection
By
Marya Brennan
| March 31, 2021
Hala Alyan: Which Comes First—the Characters or the Politics?
This Week on the
Reading Women
Podcast
By
Reading Women
| March 31, 2021
On the Narrative Thrills of Detective Fiction
Amanda Dennis Unpacks the Inspiration for Her Debut Novel
By
Amanda Dennis
| March 31, 2021
Gabriela Garcia on the Interplay Between Literature and Class Consciousness
The Author of
Of Women and Salt
Talks to Jane Ciabattari
By
Jane Ciabattari
| March 30, 2021
A Room of One’s Own Sounds Great... But What If You're a Mom?
Ilona Bannister on the Fantasy of Compartmentalization
By
Ilona Bannister
| March 30, 2021
Bridged: How the Art of Writing Can Close the Divide Between Worlds
Jennifer De Leon on Mother-Daughter Relationships and the Power of Memory
By
Jennifer De Leon
| March 29, 2021
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Page 173 of 256
The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. Berry
October 24, 2025
by
Polly Stewart
Guillermo del Toro's New
Frankenstein
Adaptation is Life-Giving
October 24, 2025
by
Olivia Rutigliano
Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His Work
October 23, 2025
by
Stephen King
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"