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  • Craft and Criticism
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Translating Tove Ditlevsen: ‘It Is Not the Voice of Someone Who Is Suffering’

Translating Tove Ditlevsen: ‘It Is Not the Voice of Someone Who Is Suffering’

Michael Favala Goldman in Conversation with Catherine Lacey on Well-Versed

By Well-Versed | March 26, 2021

Thomas Grattan on Writing a Joyful Queer Protagonist

Thomas Grattan on Writing a Joyful Queer Protagonist

In Conversation with Jackson Howard on Well-Versed

By Well-Versed | February 11, 2021

On the Fruitful 'Historic Pain' Beneath Family Interactions (Even—or Especially—the Mundane Ones)

On the Fruitful 'Historic Pain' Beneath Family Interactions (Even—or Especially—the Mundane Ones)

Jonas Hassen Khemiri Talks to Julia Ringo on Well-Versed

By Well-Versed | December 10, 2020

Megan Rosenbloom on the Macabre History of Books Bound in Human Skin

Megan Rosenbloom on the Macabre History of Books Bound in Human Skin

In Conversation with Julia Ringo on the Well-Versed Podcast

By Well-Versed | November 3, 2020

Marilynne Robinson on Writing a Character Without a Carapace

Marilynne Robinson on Writing a Character Without a Carapace

In Conversation with Jonathan Galassi on the Well-Versed Podcast

By Well-Versed | October 2, 2020

Héctor Tobar on Collaborating With a Dead Man

Héctor Tobar on Collaborating With a Dead Man

In Conversation with Sean McDonald on the Well-Versed Podcast

By Well-Versed | August 26, 2020

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Laura van den Berg and Catherine Lacey on Making Peace With Where You're From

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Eric Cervini and Mark Gevisser on Queer Rights, Past and Present

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How Hannah Sullivan Reinvents the Long Poem for a Digital Age

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On the Magic of Roya Marsh's <em>dayliGht</em>

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