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Nona Willis Aronowitz on Why Bad Sex... Is Bad

Nona Willis Aronowitz on Why Bad Sex... Is Bad

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 8, 2022

On the Quiet Radical Black Politics of the 1976 Film <em>Car Wash</em>

On the Quiet Radical Black Politics of the 1976 Film Car Wash

Deesha Philyaw in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | September 8, 2022

Rachel DeWoskin on Registering Voters (Right Now!) and the Connection Between Writing and Democracy

Rachel DeWoskin on Registering Voters (Right Now!) and the Connection Between Writing and Democracy

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 8, 2022

Mónica Guzmán on How to Have Fearlessly Curious Conversations in Dangerously Divided Times

Mónica Guzmán on How to Have Fearlessly Curious Conversations in Dangerously Divided Times

This Week on the Book Dreams Podcast

By Book Dreams | September 8, 2022

How to Tell a Memorable Action Story: Write Your Truth

How to Tell a Memorable Action Story: Write Your Truth

Robert McKee in Conversation with Andrew Keen on Keen On

By Keen On | September 8, 2022

Why There’s More Nuance to China’s “Surveillance State” Than Most of Us Think

Why There’s More Nuance to China’s “Surveillance State” Than Most of Us Think

Josh Chin in Conversation with Andrew Keen on Keen On

By Keen On | September 8, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

How to Find God in a World Full of Disappointment and Disenchantment

By Just the Right Book | September 8, 2022

Wild Swan by Patti Callahan, Read by Cynthia Erivo

By Behind the Mic | September 8, 2022

Daegan Miller on the Shifting Meaning of Historical Landmarks

By Emergence Magazine | September 7, 2022

How Can We Be Sure This “Futurist” Author Isn’t Just a Smart Machine?

How Can We Be Sure This “Futurist” Author Isn’t Just a Smart Machine?

Ross Dawson in Conversation with Andrew Keen on Keen On

By Keen On | September 7, 2022

Sunyi Dean and Olivie Blake on Letting Go of Perfection and Writing Through Ethical Dilemmas

Sunyi Dean and Olivie Blake on Letting Go of Perfection and Writing Through Ethical Dilemmas

This Week from Tor Presents: Voyage Into Genre

By Tor Presents: Voyage into Genre | September 7, 2022

Feminist or Feminine? A Twentieth-Century History of Skirts

Feminist or Feminine? A Twentieth-Century History of Skirts

Kimberly Chrisman-Campbell in Conversation with Andrew Keen on Keen On

By Keen On | September 7, 2022

How to Get Along With People Whose Views You Loathe

How to Get Along With People Whose Views You Loathe

David Livermore in Conversation with Andrew Keen on Keen On

By Keen On | September 7, 2022

Luke Dani Blue on Early Life Trauma and How Writing Helps Ground Them

Luke Dani Blue on Early Life Trauma and How Writing Helps Ground Them

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 7, 2022

Bobby Palmer Reads from <em>Isaac and the Egg</em>

Bobby Palmer Reads from Isaac and the Egg

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | September 7, 2022

<em>Stuntboy, in the Meantime </em>by Jason Reynolds, Read by a Full Cast

Stuntboy, in the Meantime by Jason Reynolds, Read by a Full Cast

Excellent and Lively Family Listening

By Behind the Mic | September 7, 2022

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    • 10 New Books Coming Out This WeekFebruary 2, 2026 by CrimeReads
    • Crime and the City: OsakaFebruary 2, 2026 by Paul French
    • The Killer Women: How a Podcast Built a Community from IsolationFebruary 2, 2026 by Danielle Girard
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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