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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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  • Log In
Deported at the Dawn of the Syrian War

Deported at the Dawn of the Syrian War

After a Decade in the US, Lawand Kiki was Forced
to Leave for Damascus

By Mike Giglio | December 18, 2019

Poet Diane Glancy on Transgression and Writing the Past

Poet Diane Glancy on Transgression and Writing the Past

In Conversation with Peter Mishler

By Peter Mishler | December 18, 2019

The House of SpeakEasy Podcast: This Is Not the End

The House of SpeakEasy Podcast: This Is Not the End

Rebecca Newberger Goldstein, Elliott Kalan, and Simon Winchester
at Joe's Pub at the Public Theater

By The SpeakEasy Podcast | December 18, 2019

Mark Guerin on Solving the Problems of Spoiled Characters

Mark Guerin on Solving the Problems of Spoiled Characters

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | December 18, 2019

So Many Damn Christmases

So Many Damn Christmases

A So Many Damn Books Holiday Record
with Hosts Drew Broussard and Christopher Hermelin

By So Many Damn Books | December 18, 2019

High Comedy and Misdemeanors: <br>The Shakespearean Drama at the Heart of Impeachment

High Comedy and Misdemeanors:
The Shakespearean Drama at the Heart of Impeachment

Liesl Schillinger on the Contemporary Resonance of Love’s Labour’s Lost

By Liesl Schillinger | December 17, 2019

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

How a Mathematical Model Rescued My Book About Math

By Ben Orlin | December 17, 2019

Why (and How, Exactly) Did Early Humans Start Cooking?

By Guy Crosby | December 17, 2019

River Nomads, Liveaboards, Canal-Dwellers and Other People of the Water

By Laura Trethewey | December 17, 2019

A Season of Books Takes Stock<br> of #MeToo

A Season of Books Takes Stock
of #MeToo

Kaylen Ralph on She Said, The Education of Brett Kavanaugh, and Know My Name

By Kaylen Ralph | December 17, 2019

For Elena Ferrante, What Distinguishes Conventional Male and Female Friendships?

For Elena Ferrante, What Distinguishes Conventional Male and Female Friendships?

The Liberating Messiness of the Neapolitan Quartet Friendship

By Tiziana de Rogatis | December 17, 2019

Teaching High Schoolers the Ingenuity and Prowess of Poetry

Teaching High Schoolers the Ingenuity and Prowess of Poetry

Nick Ripatrazone Speaks to Teacher Joel Mayo

By Nick Ripatrazone | December 17, 2019

On the Dumping Grounds of Fuerteventura, the Real Isle of Dogs

On the Dumping Grounds of Fuerteventura, the Real Isle of Dogs

Wild Dogs, Old Gods, and the History of a Place

By Matthew Gavin Frank | December 17, 2019

Finding Nuance and Much-Needed Relief in the Writing of Bharati Mukherjee

Finding Nuance and Much-Needed Relief in the Writing of Bharati Mukherjee

Mira Jacob on Reading Jasmine

By Mira Jacob | December 17, 2019

<em>LIC Reading Series Podcast</em>: Simeon Marsalis, Cynan Jones, Lynne Tillman

LIC Reading Series Podcast: Simeon Marsalis, Cynan Jones, Lynne Tillman

Onstage Conversations From the LIC Reading Series

By LIC Reading Series | December 17, 2019

Matt Gallagher Reads His Short Story

Matt Gallagher Reads His Short Story "Know Your Enemy: Celebrating 50 Years of the Forever War"

From Our Radio Theater Podcast, Storybound

By Storybound | December 17, 2019

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Page 858 of 1205
    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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