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On the Many Forms Our Dissent Can Take

On the Many Forms Our Dissent Can Take

Jen Silverman Considers Anger as Power and Remembering Who You Are

By Jen Silverman | May 17, 2021

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 17, 2021

Your Week in Virtual Book Events, May 17th to May 22nd

Your Week in Virtual Book Events, May 17th to May 22nd

Featuring K-Ming Chang, Lydia Millet, and Rachel Kushner

By Rasheeda Saka | May 17, 2021

How We Wrote a Joint Memoir Without Sabotaging Our Relationship

How We Wrote a Joint Memoir Without Sabotaging Our Relationship

Meg Bashwiner and Joseph Fink on the Complexities of the Collaborative Process

By Meg Bashwiner and Joseph Fink | May 17, 2021

<em>You Are Ready for Takeoff</em> by Susan Orlean, Read by the Author

You Are Ready for Takeoff by Susan Orlean, Read by the Author

Confronting a Fear of Flying

By Behind the Mic | May 17, 2021

Ayaan Hirsi Ali on Immigration Reform and Assimilation in Europe

Ayaan Hirsi Ali on Immigration Reform and Assimilation in Europe

In Conversation with Andrew Keen on the Keen On Podcast

By Keen On | May 17, 2021

Best Reviewed
Books of the Week

  • Country People
  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • A Sudden Flicker of Light: A Revisionist History of Movies
  • It Will Come Back to You: Collected Stories
  • Cloudthief
  • Cool Machine
  • Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast
  • Beginning Middle End
  • They Stole a City: Wilmington's White Supremacist Coup and the Families Who Live with Its Legacy

On the Best Subversive, Genre-Busting Writer You’ve Never Heard Of

By Tobias Carroll | May 14, 2021

Pride and Property:
On the Homes of Jane Austen

By Phyllis Richardson | May 14, 2021

How an Irish Barman Created a Home for New York’s Literary Elite

By Sharon DeBartolo Carmack | May 14, 2021

Why Are Creepy Children So Compelling?

Why Are Creepy Children So Compelling?

A. J. Gnuse on Our Misplaced Fear of the Gothic

By A. J. Gnuse | May 14, 2021

A Brief History of the <em>New York Times</em> Wedding Announcements

A Brief History of the New York Times Wedding Announcements

Cate Doty on the Evolution of a Society Mainstay

By Cate Doty | May 14, 2021

Barry Jenkins’ <em>Underground Railroad</em> is Even More Challenging Than the Novel

Barry Jenkins’ Underground Railroad is Even More Challenging Than the Novel

You Will Not Be Able to Look Away

By Emily Temple | May 14, 2021

In Praise of the Singular “They”<br> in Literary Translation

In Praise of the Singular “They”
in Literary Translation

Isaac Stackhouse Wheeler on Maintaining the Aesthetic
Character of a Text

By Isaac Stackhouse Wheeler | May 14, 2021

Nathan Bomey: Political Unity Isn’t the Goal

Nathan Bomey: Political Unity Isn’t the Goal

In Conversation with Andrew Keen on the Keen On Podcast

By Keen On | May 14, 2021

Chasing the Hollywood Dream: <br>A Reading List

Chasing the Hollywood Dream:
A Reading List

Katherine St. John and Books That Bring Celebrity to Life

By Katherine St. John | May 14, 2021

Olivia Laing on Writing the Global Story of Liberation

Olivia Laing on Writing the Global Story of Liberation

The Author of Everybody Discusses Power and Freedom

By Olivia Laing | May 14, 2021

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    • Who Cares Whodunit: Paraic O'Donnell on What Matters More Than Revealing a Story's KillerAugust 4, 2026 by Paraic O'Donnell
    • Country People
    • The Best Reviewed Books of the Month
    • "Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"
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