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  • Craft and Criticism
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    • The Cosmic Library
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“Something of the Sky”

“Something of the Sky”

From Christian Wiman's Latest Collection, Survival is a Style

By Christian Wiman | February 4, 2020

Diksha Basu Performs a Passage From Her Novel <em>The Windfall</em>

Diksha Basu Performs a Passage From Her Novel The Windfall

From Our Radio Theater Podcast, Storybound

By Storybound | February 4, 2020

<em>LIC Reading Series Podcast</em>: Abeer Hoque, Sarah Perry, and Jason Tougaw

LIC Reading Series Podcast: Abeer Hoque, Sarah Perry, and Jason Tougaw

Onstage Conversations From the LIC Reading Series

By LIC Reading Series | February 4, 2020

<em>Behind the Mic</em>: On <em>Hedda Gabler</em> by Henrik Ibsen, Produced by L.A. Theatre Works

Behind the Mic: On Hedda Gabler by Henrik Ibsen, Produced by L.A. Theatre Works

Robin Whitten Talks to Jo Reed About Ibsen’s Iconic Play

By Behind the Mic | February 4, 2020

On <em>My Dark Vanessa</em> and the Way Stories of Trauma Get Told

On My Dark Vanessa and the Way Stories of Trauma Get Told

Red Newsom Considers the Line Between Experience and Fiction

By Red Newsom | February 3, 2020

Ten MFA Archetypes To Avoid (Becoming)

Ten MFA Archetypes To Avoid (Becoming)

Caroline Zancan Recommends You Not Be These People

By Caroline Zancan | February 3, 2020

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

The Oxford Professor Who Kept Tabs on His Student—Who Turned Out To Be a Conman

By Adam Sisman | February 3, 2020

What the Great Russian Writers Didn't Get About the Criminal Mind

By Varlam Shalamov | February 3, 2020

The Astrology Book Club: What to Read This Month, Based on Your Sign

By Emily Temple | February 3, 2020

Scarlett Thomas on the Tricky Work of Writing the Unsayable

Scarlett Thomas on the Tricky Work of Writing the Unsayable

The Author of Oligarchy in Conversation with Lori Feathers

By Lori Feathers | February 3, 2020

The Delicate Art of Living Alone: Asking the French About Love

The Delicate Art of Living Alone: Asking the French About Love

Stefania Rousselle Travels the Country with a Single Question

By Stefania Rousselle | February 3, 2020

Mourning Jade Sharma, Her Irreverence, Her Audacity

Mourning Jade Sharma, Her Irreverence, Her Audacity

Melissa Mesku Remembers the Author of Problems

By Melissa Mesku | February 3, 2020

How to Write Autofiction About Your Family Without Losing Your Mind

How to Write Autofiction About Your Family Without Losing Your Mind

"It wasn’t my job to save anyone."

By Eleanor Anstruther | February 3, 2020

Emma Marris on the (Very) Deep Human Relationship with Soil

Emma Marris on the (Very) Deep Human Relationship with Soil

From the Emergence Magazine Podcast

By Emergence Magazine | February 3, 2020

Luke Geddes on the Glamorous World of Antique Mall Proprietorship

Luke Geddes on the Glamorous World of Antique Mall Proprietorship

The Heart of Junk Writer
on First Draft: A Dialogue of Writing

By First Draft: A Dialogue on Writing | February 3, 2020

<em>Behind the Mic</em>: On <em>All the Days Past, All the Days to Come</em> by Mildred D. Taylor, Read by Allyson Johnson

Behind the Mic: On All the Days Past, All the Days to Come by Mildred D. Taylor, Read by Allyson Johnson

Robin Whitten Talks to Jo Reed About the Conclusion to Mildred D. Taylor’s Logan Family Saga

By Behind the Mic | February 3, 2020

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Page 846 of 1205
    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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