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Literary Criticism
Nikki Giovanni on Race, Hope, Fatherhood, and
Roots
On the 40th Anniversary of Alex Haley's Classic
By
Nikki Giovanni
| May 20, 2016
We Need More First-Hand Books About Urban Poverty
Lisa Levy on
Dreamland
,
Evicted
, and
The Cook Up
By
Lisa Levy
| May 19, 2016
What Does It Mean When We Call Women Girls?
Robin Wasserman on the Unstoppable Wave of "Girl"-Titled Books
By
Robin Wasserman
| May 18, 2016
How Writers Will Steal Your Life and Use it For Fiction
A Brief History of Plagiarizing Identity, From Leo Tolstoy to Salman Rushdie
By
Richard Cohen
| May 18, 2016
How the Best Commencement Speech of All Time Was Bad for Literature
David Foster Wallace's New Sentimentality Got Old, Fast
By
Emily Harnett
| May 17, 2016
The Unstoppable Myth of Alejandra Pizarnik
A Poet of the Night, and Love, and Terror, and Tragedy
By
Enrique Vila-Matas
| May 17, 2016
Best Reviewed
Books of the Week
How Katherine Dunn's
Geek Love
Saved Me
By
Helena Fitzgerald
| May 17, 2016
I Am Jessa Crispin’s Problem with Publishing
By
Bethanne Patrick
| May 13, 2016
Luis J. Rodriguez: LA is a Great Poetry Town.
By
David L. Ulin
| May 13, 2016
Even Dostoyevsky Hated Literary Readings
Why Can't We Sit Still and Listen for 20 Minutes?
By
Daniel Torday
| May 12, 2016
The Dimunition of Women Writers: An American Tradition
On Constance Fennimore Woolson, a Truly Great 19th-Century Novelist
By
Anne Boyd Rioux
| May 12, 2016
Why Fiction Needs More Women Scientists
When A Plot is Handed to You on a Petri Dish, Write It
By
Eileen Pollack
| May 10, 2016
Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time
What it Means To Be Chekhovian: Lively, Innovative, Experimental
By
Peter Constantine
| May 9, 2016
No More Dead Mothers: Reading, Writing, and Grieving
After Three Novels, Hannah Gersen Gets Through the Loss of Her Mother
By
Hannah Gersen
| May 6, 2016
On Discovering Real Mothers on the Page
Pamela Erens, Rivka Glachen, Julia Fierro, and writing about motherhood
By
Jordan Rosenfeld
| May 6, 2016
Why Does Literature Hate Babies?
On the Sometimes Reciprocal Hostility Between Writing and Children
By
Rivka Galchen
| May 6, 2016
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Page 342 of 353
Halle Berry Will Play the President of the United States in
The President is Missing
February 4, 2026
by
Olivia Rutigliano
Why Horror Is the Perfect Genre for Processing Trauma
February 4, 2026
by
Christina Ferko
The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)
February 4, 2026
by
Marisa Walz
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"