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Pintle, Gudgeon, Chock: On the Rich, Wonderful (and Odd) Vocabulary of Sailing

Pintle, Gudgeon, Chock: On the Rich, Wonderful (and Odd) Vocabulary of Sailing

Luis Jaramillo Heads to the Hudson for a Break From Writing

By Luis Jaramillo | March 10, 2020

On Shirley Hazzard and the Antipodean Gaze

On Shirley Hazzard and the Antipodean Gaze

Michelle de Kretser on One of Australia's Great Writers

By Michelle de Krester | March 9, 2020

How Can Palestinian Writers Resist Consumption by Colonial Narratives?

How Can Palestinian Writers Resist Consumption by Colonial Narratives?

George Abraham on Imagination and Reinvention

By George Abraham | March 6, 2020

How Choose-Your-Own-Adventure Continues to Show Up in Literary Fiction

How Choose-Your-Own-Adventure Continues to Show Up in Literary Fiction

David Schwartz on the Formal Experimentation of Carmen Maria Machado, Rick Moody, and Julio Cortázar

By David Lerner Schwartz | March 5, 2020

The Hidden Power of the Passive Protagonist

The Hidden Power of the Passive Protagonist

Jessi Jezewska Stevens on Characters with Perpetual Potential

By Jessi Jezewska Stevens | March 5, 2020

Writing and Confronting Terror in the Form of a Color

Writing and Confronting Terror in the Form of a Color

Theodore Wheeler's Notes on Blue

By Theodore Wheeler | March 5, 2020

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

The 75 Best One-Star Amazon Reviews of On the Road

By Emily Temple | March 4, 2020

Hilary Leichter on the Derangements of Late Capitalism

By Kristin Iversen | March 3, 2020

What Do We Do with The Age of Innocence in 2020?

By Sarah Blackwood | March 3, 2020

On the Paradoxes of Toni Morrison's Catholicism

On the Paradoxes of Toni Morrison's Catholicism

Nick Ripatrazone Considers the Faith of an American Icon

By Nick Ripatrazone | March 2, 2020

<em>The Woman in Black</em> has come to haunt New York City.

The Woman in Black has come to haunt New York City.

By Olivia Rutigliano | February 28, 2020

Lit Hub Staff Picks: Our Favorite Stories This Month

Lit Hub Staff Picks: Our Favorite Stories This Month

The Best Writing at the Site in February

By Literary Hub | February 28, 2020

How Kevin Killian Used Italian Horror Movies to Understand the AIDS Crisis

How Kevin Killian Used Italian Horror Movies to Understand the AIDS Crisis

The Films of Dario Argento as a Metaphor for Illness

By Lonely Christopher | February 28, 2020

The American Archetype of Rural Queerness Redefined

The American Archetype of Rural Queerness Redefined

Zee Francis Goes Deep Into the Subtext of Willa Cather's My Ántonia

By Zee Francis | February 28, 2020

Marcus Mumford on John Steinbeck's Lessons in Justice and Power

Marcus Mumford on John Steinbeck's Lessons in Justice and Power

The California-Born Singer Reflects on an Iconic American Writer

By Literary Hub | February 27, 2020

A Glimpse Inside the Best Summer of Emily Dickinson's Life

A Glimpse Inside the Best Summer of Emily Dickinson's Life

“I have worlds of things to tell you, and my pen is not swift enough...”

By Martha Ackmann | February 26, 2020

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Page 286 of 351
    • 6 Thrillers That Reveal the Dark Sides of FameJanuary 21, 2026 by Jessie Garcia
    • Ellie Levenson on the Beautiful Realism of Ambiguous Endings in NarrativesJanuary 21, 2026 by Ellie Levenson
    • Crime on the High Seas: 8 Historical Mysteries with Pirates and SmugglersJanuary 21, 2026 by Linda Wilgus
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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