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Craft and Criticism
Art Inspired by Italo Calvino's
Invisible Cities
"Elsewhere is a negative mirror."
By
Emily Temple
| October 13, 2017
Why the Line Between Fact and Fiction is Even Blurrier Online
"The Internet Offers a Secret Life to Everybody"
By
Andrew O'Hagan
| October 12, 2017
A Selection of Virginia Woolf's Most Savage Insults
Marmoreal, Uncooked, Inarticulate, Pimpled, Unrefined, Limp
By
Emily Temple
| October 12, 2017
How Paris Turned Me Into a Writer
Piu Eatwell Discovers the Ex-Pat Life
By
Piu Eatwell
| October 12, 2017
Eve Ewing on Education, Institutions, and Alternative Models of Poetry
"The Primary Audience of My Book is First and Foremost Black Teen Girls"
By
Rebecca Stoner
| October 11, 2017
Jane Austen’s
Emma
Was Basically Torn Apart in Workshop
On the Early Reception of a Classic Novel, on Both Sides of the Atlantic
By
Juliette Wells
| October 11, 2017
Best Reviewed
Books of the Week
Ellen Ullman: We Have to Demystify Code
By
Morgan Meis
| October 11, 2017
Katherine Mansfield on the Thrilling Joy of Creation
By
Emily Temple
| October 11, 2017
The Little-Known Friendships of Iconic Women Writers
By
Emily Midorikawa and Emma Sweeney
| October 11, 2017
137 Writers and the Words They're Best Known For
Kaveh Akbar Presents a Crowdsourced List of Signature Literary Words
By
Kaveh Akbar
| October 11, 2017
How Shirley Jackson Makes Us Lose Our Minds
Ottessa Moshfegh on Insanity, Mistaken Identity, and the
Dark Tales
By
Ottessa Moshfegh
| October 10, 2017
Naomi Alderman Taps Into the Deeper Powers of Women
The Author of
The Power
Discusses the Greatest Bloodless Revolution in History
By
Daneet Steffens
| October 10, 2017
Carmen Maria Machado on Campfire Stories and Queer Teen Touchstones
Talking to the Author of
Her Body and Other Parties
By
Claire Luchette
| October 6, 2017
Kazuo Ishiguro on Song Lyrics, Scones, and the Life He Could Have Had
The New Nobel Prize Winner in Conversation with John Freeman
By
John Freeman
| October 5, 2017
Jesmyn Ward on the Hauntings of History
The Author of
Sing, Unburied, Sing
Michele Filgate
By
Michele Filgate
| October 5, 2017
Watch Karl Ove Knausgaard's Lecture: Why I Write
Presenting the Key-Note Address for the 2017 Windham-Campbell Prizes
By
Literary Hub
| October 5, 2017
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Page 726 of 823
Deborah Goodrich Royce on Memory, Suspense, and Weaving Fiction from Life
March 2, 2026
by
John B. Valeri
10 New Books Coming Out This Week
March 2, 2026
by
CrimeReads
Crime and the City: Zagreb
March 2, 2026
by
Paul French
The Best Reviewed Books of the Week
"This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"