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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
    • History
    • Science
    • Politics
    • Biography
    • Memoir
    • Food
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    • Design
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  • Lit Hub Radio
    • The Lit Hub Podcast
    • Awakeners
    • Fiction/Non/Fiction
    • The Critic and Her Publics
    • Windham-Campbell Prizes Podcast
    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
    • The Best of the Decade
  • Book Marks
    • Best Reviewed Books
  • CrimeReads
    • True Crime
    • The Daily Thrill
  • Log In
Kate Beaton Applies Her Graphic Genius to the Tyranny of Babies

Kate Beaton Applies Her Graphic Genius to the Tyranny of Babies

The Hark, a Vagrant! Creator Knows Her Audience

By Noah Berlatsky | September 13, 2016

How My Grandmother's Cookbook Made Me a Writer

How My Grandmother's Cookbook Made Me a Writer

On Cooking, Rosh Hashanah, and Inhabiting a Fictive World

By Michelle Brafman | September 13, 2016

How Do We Fix the MFA?

How Do We Fix the MFA?

Toward a Better Creative Writing Degree

By KC Trommer | September 12, 2016

Ron Rash on Writing to Bring Out the Dead

Ron Rash on Writing to Bring Out the Dead

Discovering the Stories That Need to Be Told

By Ron Rash | September 12, 2016

Interview with a Bookstore: Biblioasis

Interview with a Bookstore: Biblioasis

The Bookstore Partner of Windsor, Ontario's Biblioasis Press

By Interview with a Bookstore | September 12, 2016

Real-Life British Spies <em>Did Not</em> Like John Le Carré

Real-Life British Spies Did Not Like John Le Carré

The Master Thriller Writer Recalls Lunch with Alec Guinness and a Grumpy Old Spy

By John le Carré | September 12, 2016

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

200 Years After the Embargo, Helen Garner Reviews Pride and Prejudice

By Helen Garner | September 9, 2016

On the Ethics of Writing About Your Children

By Literary Hub | September 9, 2016

How Being a Bookseller Made Me a Better Writer

By Kea Wilson | September 8, 2016

Lauren Collins Really Didn't Want to Write a Memoir

Lauren Collins Really Didn't Want to Write a Memoir

Stephanie LaCava Talks to the Author of When in French: Love in a Second Language

By Stephanie LaCava | September 8, 2016

How Individualism Conquered American Fiction

How Individualism Conquered American Fiction

On the "Imperial Self" and the Rejection of Social Responsibility

By Jonathon Sturgeon | September 8, 2016

Emily Books Asks... What is Women’s Writing?

Emily Books Asks... What is Women’s Writing?

Emily Gould and Ruth Curry on their upcoming symposium

By Literary Hub | September 8, 2016

Where Is Max Ritvo's Heaven?

Where Is Max Ritvo's Heaven?

On the Death of a Young Poet and the Limits of Imagination

By M. Sophia Newman | September 7, 2016

Death is Actually Very Funny: A Last Conversation with Max Ritvo

Death is Actually Very Funny: A Last Conversation with Max Ritvo

The Late Poet in Correspondence with Justin Boening

By Literary Hub | September 7, 2016

Interview With a Gatekeeper: Nan Talese

Interview With a Gatekeeper: Nan Talese

From Random House's First Female Literary Editor to Her Own Imprint

By Kerri Arsenault | September 7, 2016

How I Spent My Summer Vacation: With Ferrante and Knausgaard

How I Spent My Summer Vacation: With Ferrante and Knausgaard

On the Impossible Allure of First Person Narcissists

By Stephanie Grant | September 7, 2016

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    • Ice Cream, Elephants, Organs, Death: The Triumphs and Terrors of the 1904 St. Louis World's FairNovember 5, 2025 by Emily Bain Murphy
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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