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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • From the Novel
    • Poem
  • News and Culture
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    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
    • The Best of the Decade
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  • CrimeReads
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The Publisher Who Rejected Jane Austen

The Publisher Who Rejected Jane Austen

Well That Was a Mistake, Wasn't It?

By Shelley DeWees | October 26, 2016

Has Imbolo Mbue Written the Great American Novel?

Has Imbolo Mbue Written the Great American Novel?

How an Unknown Cameroonian Novelist Followed in the Footsteps of Jonathan Franzen

By Aaron Bady | October 26, 2016

Ask the Publicists: What Do I Do With a Bad Pre-Pub Review?

Ask the Publicists: What Do I Do With a Bad Pre-Pub Review?

A Monthly Advice Column from Broadside PR

By Literary Hub | October 25, 2016

Police Violence and the American Caste System

Police Violence and the American Caste System

Colette Shade on Arundhati Roy and Black Lives Matter

By Colette Shade | October 25, 2016

The Rise of the Small Press on the Man Booker Shortlist

The Rise of the Small Press on the Man Booker Shortlist

Could a Two-Person Press from Glasgow Win One of the Biggest Prizes in Literature?

By Marta Bausells | October 24, 2016

Edward Albee, Big in Bulgaria

Edward Albee, Big in Bulgaria

On Eastern Europe's Love/Hate Relationship with a Great American Playwright

By Dimiter Kenarov | October 24, 2016

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

On First Seeing Your Novel on the Big Screen

By M.L. Stedman | October 24, 2016

Are You a Southern Writer or a Brooklyn Writer?

By Thomas Mullen | October 21, 2016

Inside the World of Judging the Man Booker Prize

By Marta Bausells | October 21, 2016

From Weimar to Appalachia, a Syllabus for Our Brush with Fascism

From Weimar to Appalachia, a Syllabus for Our Brush with Fascism

On Hans Fallada and the Little Men of History

By Daniela Blei | October 21, 2016

When Fiction Helps You Get Closer to the Truth

When Fiction Helps You Get Closer to the Truth

On Plane Crashes, Failed Love Affairs, and Resurfaced Memories

By Norman Ollestad | October 21, 2016

Marlon James: Why I’m Done Talking About Diversity

Marlon James: Why I’m Done Talking About Diversity

Or, Why We Should Try an All-White Diversity Panel

By Marlon James | October 20, 2016

Margaret Atwood on Magic, Technology, and Changing the World

Margaret Atwood on Magic, Technology, and Changing the World

Paul Holdengraber in Conversation with the Great Margaret Atwood

By Literary Hub | October 20, 2016

Who Should Own What in the Digital Age?

Who Should Own What in the Digital Age?

Jeff VanderMeer on Why You Should Care About the End of Black Clock Magazine

By Jeff VanderMeer | October 20, 2016

Bruce Bauman on the Origins of <em>Black Clock</em>Magazine

Bruce Bauman on the Origins of Black ClockMagazine

"Others will and are coming along. But I think there is no doubt—it will be missed."

By Literary Hub | October 20, 2016

The Best of Genre + The Best of Literary Fiction = Awesome

The Best of Genre + The Best of Literary Fiction = Awesome

Benjamin Percy On Finally Realizing the Kind of Books He Wanted to Write

By Benjamin Percy | October 19, 2016

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    • Remember when Celebrated Film Director Otto Preminger Played Mr. Freeze?November 5, 2025 by Olivia Rutigliano
    • Jaime Parker Stickle on Podcasts, Investigations, and Her Strange Journey to Writing a ThrillerNovember 5, 2025 by Jaime Parker Stickle
    • Ice Cream, Elephants, Organs, Death: The Triumphs and Terrors of the 1904 St. Louis World's FairNovember 5, 2025 by Emily Bain Murphy
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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