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Craft and Criticism
The Annotated Nightstand: What Elamin Abdelmahmoud is Reading Now and Next
A New (at Lit Hub) Series by Diana Arterian
By
Diana Arterian
| May 17, 2022
How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense
Jon Mooallem in Conversation with Andrew Keen
By
Keen On
| May 17, 2022
Finally a History of Art That Includes Female and Non-White Artists
Charlotte Mullins in Conversation with Andrew Keen
By
Keen On
| May 17, 2022
Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work
In Conversation with Andrew Keen
By
Keen On
| May 17, 2022
An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria
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Micro Podcast
| May 17, 2022
On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe
Steven Toussaint Considers the Melding of Ambivalence and Political Commitment
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Steven Toussaint
| May 16, 2022
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Tracing the Romance Genre’s Radical Roots, from Derided “Sex Novels” to
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On My Love of Libraries: Lessons From My Father
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The Significance of Romare Bearden’s Art in the American Canon
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Keen On
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Shelf Talkers: What They’re Reading at South Main Book Company
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Are We At the End of (the) History (of Liberalism)?
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Keen On
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Singer Sam Lee on the Transformative Experience of Creating Songs in Collaboration With Nightingales
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Emergence Magazine
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On the Persistent and Unambiguous Criminality of Donald J. Trump
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Live at the Red Ink Series: On Writing and Dreams
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The Process Is the Art: Ellie Alexander on Drafting and Creativity in the AI Era
February 25, 2026
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Ellie Alexander
Lindy Ryan on Slashers, Pink Horror, and the Rise of Violent Fiction by Women
February 25, 2026
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Lindy Ryan
FBI Informant "Tipper X" on the Wild, Opulent World of Insider Trading
February 25, 2026
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Tom Hardin
The Best Reviewed Books of the Week
"This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"