Making Space for Mistakes and Experiments, in Marriage and Writing

Making Space for Mistakes and Experiments, in Marriage and Writing

Francesco Pacifico on Writing (and Revising) Female Characters

By Francesco Pacifico | March 14, 2022

The Impossibility of Writing About Motherhood

The Impossibility of Writing About Motherhood

Sarah Blake on Motherhood's Many Faces

By Sarah Blake | March 14, 2022

Finding the Kinship Between Manifestations of Creativity and Depression

Finding the Kinship Between Manifestations of Creativity and Depression

Gia de Cadenet on Making Sense of the Raw Material

By Gia de Cadenet | March 14, 2022

Lan Samantha Chang on Teaching, Tone, and Literary Generations

Lan Samantha Chang on Teaching, Tone, and Literary Generations

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 14, 2022

Why Liberalism and Progressivism Are at Odds in Joe Biden’s Democratic Party

Why Liberalism and Progressivism Are at Odds in Joe Biden’s Democratic Party

William Galston in Conversation with Andrew Keen on Keen On

By Keen On | March 14, 2022

Stephen M.R. Covey on the Crisis in Trust With Vladimir Putin

Stephen M.R. Covey on the Crisis in Trust With Vladimir Putin

In Conversation with Andrew Keen on Keen On

By Keen On | March 14, 2022

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  • House of Day, House of Night
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Why Ukraine Might the First Global War About Globalization Itself

By Keen On | March 14, 2022

Why Everything You Think About Money Is Wrong

By Keen On | March 14, 2022

In The Last Days of Ptolemy Grey, Samuel L. Jackson Plays the Role of a Lifetime

By Olivia Rutigliano | March 11, 2022

“Every hut in our beloved country is on the edge.” Contemporary Ukrainian Poetry by Boris Khersonsky

“Every hut in our beloved country is on the edge.” Contemporary Ukrainian Poetry by Boris Khersonsky

Translated by Amelia Glaser and Yuliya Ilchuk

By Literary Hub | March 11, 2022

John Clellon Holmes on the Funeral of His Longtime Friend Jack Kerouac

John Clellon Holmes on the Funeral of His Longtime Friend Jack Kerouac

“I hoped that no one would ever mourn me so self-centeredly.”

By John Clellon Holmes | March 11, 2022

Edith Wharton on How to Write a Vivid First Line

Edith Wharton on How to Write a Vivid First Line

"[It] should be something more than a trick."

By Edith Wharton | March 11, 2022

Bring Back the Vibes of <em>Howards End</em>, You Cowards

Bring Back the Vibes of Howards End, You Cowards

On the Film's 30th Anniversary, Sara Batkie Praises Merchant Ivory's Blueprint

By Sara Batkie | March 11, 2022

On the Centenary of Jack Kerouac’s Birth, Rarely Seen Archival Material from His Publisher

On the Centenary of Jack Kerouac’s Birth, Rarely Seen Archival Material from His Publisher

“You are right in thinking I am interested in Kerouac and his work.”

By Literary Hub | March 11, 2022

Austin Kleon Looks Back on the Creation of <em>Steal Like an Artist</em>, Ten Years Later

Austin Kleon Looks Back on the Creation of Steal Like an Artist, Ten Years Later

When the What-Ifs Become Real

By Austin Kleon | March 11, 2022

The More Personal the Joke, the Bigger the Laugh (and More Lessons from a Career in Cartoons)

The More Personal the Joke, the Bigger the Laugh (and More Lessons from a Career in Cartoons)

David Sipress on Comic Timing on the Stage and the Page

By David Sipress | March 11, 2022

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