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Craft and Criticism
A Profane, Insane, Hilarious, and Disgusting Horror Novel About a Mother-In-Law from Hell
Ainslie Hogarth in Conversation with Andrew Keen on
Keen On
By
Keen On
| September 28, 2022
Elsie Robinson, the Most Popular American Woman Writer You’ve Never Heard Of
Allison Gilbert in Conversation with Andrew Keen on
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By
Keen On
| September 28, 2022
15 new books to get cozy with this week.
By
Katie Yee
| September 27, 2022
Generation Amazing!!! How We’re Draining Language of Its Power
Emily McCrary-Ruiz-Esparza on the “Maxim of Extravagance”
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Emily McCrary-Ruiz-Esparza
| September 27, 2022
Kamila Shamsie on Finding the Perfect Writing Space
“Perhaps there is no such thing as my writing space except wherever I happen to find myself.”
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Kamila Shamsie
| September 27, 2022
On the Richness of Isaac Babel’s Odessa
Read Boris Dralyuk’s New Translation of “Lyubka the Cossack”
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Isaac Babel
| September 27, 2022
Best Reviewed
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Namwali Serpell on the Complex Processes That Create Fiction
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Translating in Tandem: A Reading List of Collaborative Translated Literature
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Six Books That Explore Loss Through Poetic Means
Juliet Patterson on Picking Up the Pieces with the Help of Literature
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Simon Jacobs on Writing Horror and Nailing Tone
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Hafizah Augustus Geter on Personhood, Race, and Origin in America Today
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Richard Reeves Identifies Today’s Crisis of Masculinity and Explains How to Fix It
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Why the First Lady of Sales Believes the Word “Sales” is Cringeworthy
Dr. Cindy McGovern in Conversation with Andrew Keen on
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Keen On
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Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To
The Author of
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Literary Hub
| September 26, 2022
Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman
What It Means to Write in the Direction of Darkness
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Stacey D'Erasmo
| September 26, 2022
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