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Craft and Criticism
Nick Drnaso: Can You Write Good Characters That Don’t Share Your Worldview?
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| November 3, 2022
Megan Abbott on Writing for the Reader
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Micro
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Confronting the South’s Tradition of Racist Terror
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Ousmane Power-Green
| November 3, 2022
How Sex Changed the Internet and the Internet Changed Sex
Samantha Cole in Conversation with Andrew Keen on
Keen On
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Keen On
| November 3, 2022
How “Reading” Nature, Especially Birds, Enables Us to Transcend Ourselves
Priyanka Kumar in Conversation with Andrew Keen on
Keen On
By
Keen On
| November 3, 2022
The Annotated Nightstand: What Erika T. Wurth is Reading Now and Next
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Diana Arterian
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How Writing Fiction Can Expose More of Yourself Than Writing Memoir
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| November 3, 2022
Andrew Sean Greer on the Benefits of Winning the Pulitzer Prize (and Not Having to Schmooze)
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The 60 Best Campus Novels from the Last 100 Years
From Evelyn Waugh to Rebecca Makkai
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Emily Temple
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The Long and the Short of It: Hilma Wolitzer on Returning to Short Fiction in Her 90s
“To publish a collection of short stories in my 90’s seems miraculous to me.”
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Hilma Wolitzer
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Perhaps the Most Remarkable Thing About Charlie Watts Was Just How Remarkably Ordinary He Was
Paul Sexton in Conversation with Andrew Keen on
Keen On
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Keen On
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An Ode to Harriet the Spy, the Art Monster of East End Avenue
Caroline Hagood on Louise Fitzhugh’s Ferocious and Wonderful Girl Flâneuse
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In Conversation with Jordan Kisner on
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