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How to Write a Book of Poems

How to Write a Book of Poems

"These Poems Would Not Exist Without Avocado or Sesame Sticks"

By Amanda Nadelberg | May 11, 2016

On the Future of the American Essay

On the Future of the American Essay

How Film and Poetry are Changing the Form—And Vice Versa

By Tobias Carroll | May 11, 2016

Why I Quit Being a Writer

Why I Quit Being a Writer

Jaime Clarke on Saying Goodbye to the Writing Life

By Jaime Clarke | May 11, 2016

Dear Rick Moody: Should I End My Affair?

Dear Rick Moody: Should I End My Affair?

Rick Moody, Life Coach, on the Cost of Infidelity

By Rick Moody | May 10, 2016

Why Fiction Needs More Women Scientists

Why Fiction Needs More Women Scientists

When A Plot is Handed to You on a Petri Dish, Write It

By Eileen Pollack | May 10, 2016

Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time

Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time

What it Means To Be Chekhovian: Lively, Innovative, Experimental

By Peter Constantine | May 9, 2016

Best Reviewed
Books of the Week

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  • Under the Falls
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  • Depraved: The Story of Dangerous Art
  • A Guide to Open Water Lifesaving: Lessons on Love, Care, and Survival: A Memoir
  • Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland
  • Hocus Pocus
  • Are They Dead Yet?: The Art of the Obit

Using Crime Fiction to Present Fully Formed Muslim Characters

By Marni Graff | May 9, 2016

No One is Writing the Real West Virginia

By Matthew Neill Null | May 9, 2016

Interrogating Sentimentality with Leslie Jamison

By Kristen Martin | May 9, 2016

Motherhood vs. Art: There Is No Wrong Choice

Motherhood vs. Art: There Is No Wrong Choice

On Having a Child as a Working Writer

By Diana Abu-Jaber | May 6, 2016

No More Dead Mothers: Reading, Writing, and Grieving

No More Dead Mothers: Reading, Writing, and Grieving

After Three Novels, Hannah Gersen Gets Through the Loss of Her Mother

By Hannah Gersen | May 6, 2016

On Discovering Real Mothers on the Page

On Discovering Real Mothers on the Page

Pamela Erens, Rivka Glachen, Julia Fierro, and writing about motherhood

By Jordan Rosenfeld | May 6, 2016

Why Does Literature Hate Babies?

Why Does Literature Hate Babies?

On the Sometimes Reciprocal Hostility Between Writing and Children

By Rivka Galchen | May 6, 2016

Tyehimba Jess on Excavating Popular Music Through Poetry

Tyehimba Jess on Excavating Popular Music Through Poetry

Exploring the Sustenance of Song and Historical Clapbacks

By Adam Fitzgerald | May 5, 2016

Love is Boring and Hard to Write About, And Yet...

Love is Boring and Hard to Write About, And Yet...

Lydia Millet on Why Hate Is Juicy and Love Is Dry

By Lydia Millet | May 5, 2016

The 10 Russian Literary Heroines You Should Know

The 10 Russian Literary Heroines You Should Know

And Why Russian Women Know Better Than to Expect a Happily-Ever-After

By Guillermo Erades | May 5, 2016

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    • Jennifer Givhan on Monstrous Mothers, Headless Women, and Writing Symbolic HorrorAugust 18, 2026 by Jennifer Givhan
    • Max Doty on Concepting, Erasure, and Building a House in His New NovelAugust 18, 2026 by Max Doty
    • Brianna Labuskes on Reckoning and Using Memory as a Tool in Crime FictionAugust 17, 2026 by Brianna Labuskes
    • Fed Up: Emotional Labor, Women, and the Way Forward
    • The Best Reviewed Books of the Week
    • "Attuned to women s everyday stresses em Fed Up em s chief value lies in…"
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