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Dragon Lords and Reality TV Mechas: April’s Best Sci-Fi and Fantasy Books

Dragon Lords and Reality TV Mechas: April’s Best Sci-Fi and Fantasy Books

New releases from Kritika H. Rao, Gwendolyn Kiste, Mike Chen, and more

By Natalie Zutter | April 1, 2026

Ingrid Rojas Contreras (with Toni Morrison and Seamus Heaney)

Ingrid Rojas Contreras (with Toni Morrison and Seamus Heaney)

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | April 1, 2026

Jenny Lawson Thinks It’s Okay If You’re Not For Everyone

Jenny Lawson Thinks It’s Okay If You’re Not For Everyone

The Author of How to Be Okay When Nothing is Okay on Rejection Sensitivity

By Jenny Lawson | March 31, 2026

Ashley Nelson Levy on Female Friendship, Disappointment, and Balancing Her Writing With Running a Press

Ashley Nelson Levy on Female Friendship, Disappointment, and Balancing Her Writing With Running a Press

The Author of The Riff Talks to Meara Sharma

By Meara Sharma | March 31, 2026

Colm Tóibín on Crafting a Collection of Irish Homecoming

Colm Tóibín on Crafting a Collection of Irish Homecoming

Jane Ciabattari Talks to the Author of The News from Dublin

By Jane Ciabattari | March 31, 2026

A Resonant Silence: Heather Cleary on Translating María Ospina’s <em>Only a Little While Here</em>

A Resonant Silence: Heather Cleary on Translating María Ospina’s Only a Little While Here

"There is a powerful form of resistance to be found in lingering with the unfamiliar..."

By Heather Cleary | March 31, 2026

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Tana French, Colm Tóibín, Yann Martel and more: 20 new books out today!

By Julia Hass | March 31, 2026

Álvaro Enrigue’s Now I Surrender Is a Celebration of Apache Resistance

By Anderson Tepper | March 30, 2026

Percival Everett, Andrea Long Chu, Gatsby... 23 new paperbacks out this April.

By Gabrielle Bellot | March 30, 2026

Naeem Murr on Finding Inspiration in a Chevy Impala

Naeem Murr on Finding Inspiration in a Chevy Impala

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 30, 2026

Take a Tour of Poet Maggie Smith’s Writing Space

Take a Tour of Poet Maggie Smith’s Writing Space

Writing Tip: Surround Yourself With Beloved Objects

By Maggie Smith | March 27, 2026

19th-Century Blues: When Science Killed God and Made Some Englishmen Sad

19th-Century Blues: When Science Killed God and Made Some Englishmen Sad

Adrian McKinty on Richard Holmes’s The Boundless Deep

By Adrian McKinty | March 27, 2026

Langston Hughes: Novelist, Poet, Activist and... Translator

Langston Hughes: Novelist, Poet, Activist and... Translator

Ricardo Wilson II on the Writer’s Experience in Mexico and His Struggle to Bring Mexican and Cuban Writers to American Audiences

By Ricardo Wilson II | March 27, 2026

March’s Best Reviewed Nonfiction

March’s Best Reviewed Nonfiction

Featuring Christopher Clark, Ian Buruma, Tom Junod, and More

By Book Marks | March 27, 2026

Yann Martel on Playing with Form to Tell a Story

Yann Martel on Playing with Form to Tell a Story

“Follow the chemistry.”

By Yann Martel | March 27, 2026

March’s Best Reviewed Fiction

March’s Best Reviewed Fiction

Featuring Francis Spufford, Saba Sams, Jordy Rosenberg, and More

By Book Marks | March 27, 2026

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Page 17 of 847
    • How to Recreate the Techniques of Horror Films in a NovelJune 2, 2026 by Claire Fuller
    • The Men Who Sold the Long-Lost Treasures of Cambodia's Khmer EmpireJune 2, 2026 by Matthew Campbell
    • Co-Writing a Cold War Thriller With My Father – Forty Years After His DeathJune 2, 2026 by Beau L'Amour
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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