My Year of Mourning: Mapping the Full Cycle of the Loss of My Father

My Year of Mourning: Mapping the Full Cycle of the Loss of My Father

Merissa Nathan Gerson’s Notes on Grief

By Merissa Nathan Gerson | August 23, 2021

Meet <em>Granta</em>’s Next Generation of Important Spanish Novelists

Meet Granta’s Next Generation of Important Spanish Novelists

Tobias Carroll Talks to Guest Editor Valerie Miles

By Tobias Carroll | August 23, 2021

How David Foster Wallace Used Compromise Aesthetics to Sell <em>Infinite Jest</em>

How David Foster Wallace Used Compromise Aesthetics to Sell Infinite Jest

Rachel Greenwald Smith on the Treacherous Common Territories of Literary Culture and Capitalism

By Rachel Greenwald Smith | August 20, 2021

Interview with an Indie Press: Nightboat Books

Interview with an Indie Press: Nightboat Books

On Publishing Difficult-to-Classify Books

By Corinne Segal | August 20, 2021

Megan Abbott on the Dark Underworld of Ballet

Megan Abbott on the Dark Underworld of Ballet

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 19, 2021

How to Read Any Book as a Sacred Text

How to Read Any Book as a Sacred Text

Vanessa Zoltan Guests on the Book Dreams Podcast

By Book Dreams | August 19, 2021

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WATCH: Nimmi Gowrinathan in Conversation with John Freeman

By The Virtual Book Channel | August 19, 2021

In Praise of the Realistic Hope of Jonathan Franzen’s Endings

By Jessie Gaynor | August 18, 2021

When You’re Craving Oddities: 5 Books You May Have
Missed in July

By Bethanne Patrick | August 18, 2021

On Robin McKinley’s Fantasies and the Books That Are “Just Yours”

On Robin McKinley’s Fantasies and the Books That Are “Just Yours”

This Week on the NewberyTart Podcast

By NewberyTart | August 18, 2021

<em>Grendel</em> at 50: How John Gardner’s Finest Novel Undermines His Ideas About Moral Fiction

Grendel at 50: How John Gardner’s Finest Novel Undermines His Ideas About Moral Fiction

“Grendel is funny, entertaining, troubling, and above all unruly; the novel refuses to behave.”

By Andrew DeYoung | August 17, 2021

My Shadow Book: On Consciously—or Unconsciously—Immortalizing Ex-Partners in Literary Fiction

My Shadow Book: On Consciously—or Unconsciously—Immortalizing Ex-Partners in Literary Fiction

Andrew Palmer Struggles with the Idea of Creating Characters (Partly) Based on an Ex

By Andrew Palmer | August 17, 2021

Novels That Offer Easy Lessons Aren’t Worth Reading

Novels That Offer Easy Lessons Aren’t Worth Reading

Jo Hamya Against an Internet-Driven Book Culture

By Jo Hamya | August 16, 2021

On the Art of Literary Name-Calling: The Best and Most Baroque Insults Are Micro-Poems for the Ages

On the Art of Literary Name-Calling: The Best and Most Baroque Insults Are Micro-Poems for the Ages

Jason Guriel on the Evolution of Stylized Insults, from “Turdsworth” to “Tru-Anon”

By Jason Guriel | August 13, 2021

The Enduring Appeal of Fictional Sisters: A Reading List

The Enduring Appeal of Fictional Sisters: A Reading List

Hazel Gaynor and Heather Webb Recommend Brit Bennett, Lucinda Riley, and Jane Green

By Hazel Gaynor and Heather Webb | August 13, 2021

The Power and Perils of Storytelling: How We Make Narratives Out of Predatory Relationships

The Power and Perils of Storytelling: How We Make Narratives Out of Predatory Relationships

Jane Healey on Truth and Uncertainty in My Dark Vanessa, Consent, and More

By Jane Healey | August 12, 2021

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