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Literary Criticism
On the Art and Influence of Hemingway’s Short Stories
Looking Past the Biography, at the Sentences Themselves
By
John Mariani
| July 20, 2018
The Patron Saints of Pessimism: A Writer's Pantheon
Emil Cioran, Friedrich Nietzsche, and Other Funsters
By
Eugene Thacker
| July 19, 2018
My Book of Men: On the Poetry of Survival
Testimony is Not the Only Way to Speak of Sexual Violence
By
Liz Bowen
| July 18, 2018
What Can We Salvage of Objectivity?
From the Introduction to Michiko Kakutani's
The Death of Truth
By
Michiko Kakutani
| July 17, 2018
The 100 Best One-Star Reviews of
The Catcher in the Rye
"If I had written this book, I would have gone into hiding too"
By
Emily Temple
| July 16, 2018
Watching
The Handmaid's Tale
While Transitioning
Veronica Esposito on Encountering Misogyny in a New Way
By
Veronica Esposito
| July 16, 2018
Best Reviewed
Books of the Week
Forget Zorro: Joaquín Murieta is the Outlaw-Hero We Need
By
Diana Gabaldon
| July 16, 2018
How Can Fiction Predict a Future That's Already Happening?
By
Andromeda Romano-Lax
| July 13, 2018
Why I Added, Then Deleted, Trump from My Novel
By
Andrew Martin
| July 10, 2018
Not Everyone Loves Proust
Crushingly dull. Rather infantile. A mental defective?
By
Emily Temple
| July 10, 2018
Lyn Hejinian: Everything is Imminent in Anything
An Essay on Fending Off Chaos
By
Lyn Hejinian
| July 5, 2018
Holden Caulfield: Egotistical Whiner or Melancholy Boy Genius?
From Jesus-Figure to Incestuous Impulses, 13 Critics Weigh In
By
Emily Temple
| July 2, 2018
Will a Woman Writer Win Italy's Strega Prize This Year?
Since First Awarded in 1947, Only 10 Women Have Won It
By
Jeanne Bonner
| July 2, 2018
Why James Baldwin Went to the South and What It Meant to Him
"Everybody Else was Paying Their Dues, and it was Time I Went Home and Paid Mine"
By
Ed Pavlić
| June 29, 2018
The Enduring Enigma of Véra Nabokov
Why We Can't Stop Trying to Figure Her Out, in Fiction and Biography
By
Miranda Popkey
| June 28, 2018
Why We Love—and Need to Leave Behind—Dead Girl Stories
"The Way We Tell Them Gives Us Permission to Look Away from Obvious Patterns"
By
Kristen Martin
| June 27, 2018
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Wake Up Dead Man
Knows the Whodunnit is Inherently Political. (It's also a Perfect Movie.)
December 12, 2025
by
Olivia Rutigliano
2025 In Trends: Dark Academia Featuring Darker Magic
December 12, 2025
by
Molly Odintz
The Best Books of 2025: Espionage Fiction
December 12, 2025
by
CrimeReads
The Best Reviewed Books of the Week
"Tokarczuk is an excellent storyteller She is very good at creating a 'sense of anticipation…"