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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • From the Novel
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    • First Draft: A Dialogue on Writing
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Relearning Old Lessons: What a Forgotten Novel Can Teach Us About Immigration in 2020

Relearning Old Lessons: What a Forgotten Novel Can Teach Us About Immigration in 2020

Anne Boyd Rioux on Martha Gellhorn’s A Stricken Field

By Anne Boyd Rioux | January 13, 2020

The Impossible Exercise of Interviewing Leonora Carrington

The Impossible Exercise of Interviewing Leonora Carrington

Heidi Sopinka in Conversation with Claudia Dey

By Claudia Dey | January 13, 2020

The Restless Comedy of Jane Austen's Unfinished Last<br> Novel, <em>Sanditon</em>

The Restless Comedy of Jane Austen's Unfinished Last
Novel, Sanditon

Fragment of a Seaside Romp

By Janet Todd | January 10, 2020

On the Short Stories That Inspired a Russian Czar to Free the Serfs

On the Short Stories That Inspired a Russian Czar to Free the Serfs

How the Fiction of Ivan Turgenev Changed Lives

By Daniyal Mueenuddin | January 7, 2020

On the Darker Standalone Novels from the <em>Baby-Sitters Club</em> Author

On the Darker Standalone Novels from the Baby-Sitters Club Author

This Week on The NewberyTart Podcast

By NewberyTart | January 7, 2020

Has African Migration to the US Led to a Literary Renaissance?

Has African Migration to the US Led to a Literary Renaissance?

Yogita Goyal Considers “Afropolitan” Literature

By Yogita Goyal | January 6, 2020

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

At the Literary Intersection of Climate Disaster, Apocalypse, and Folk Horror

By Tobias Carroll | January 6, 2020

Tayari Jones on the Necessary American History of Ann Petry's The Street

By Tayari Jones | January 6, 2020

Celebrating the 50th Anniversary of Feminist Press

By Literary Hub | January 6, 2020

The Booksellers’ Year in Reading: Part Three

The Booksellers’ Year in Reading: Part Three

We Asked the Best Readers We Know What Books
Stayed With Them This Year

By Literary Hub | December 30, 2019

Our Favorite Literary Hub Stories of 2019

Our Favorite Literary Hub Stories of 2019

The Best Writing at the Site in the Year That Was

By Literary Hub | December 20, 2019

How to Break in to Publishing If You're a Smalltown Brazilian Mayor in the 1930s

How to Break in to Publishing If You're a Smalltown Brazilian Mayor in the 1930s

Novelist Graciliano Ramos's Reports to the Governor of Alagoas Are Literature Unto Themselves

By Padma Viswanathan and Graciliano Ramos | December 20, 2019

Visiting Jeff VanderMeer's Weird, Wondrous Worlds

Visiting Jeff VanderMeer's Weird, Wondrous Worlds

Erin Berger Catches Up With the Author of Dead Astronauts

By Erin Berger | December 18, 2019

When You Find Out Someone Won a Prize Plagiarizing Your Work

When You Find Out Someone Won a Prize Plagiarizing Your Work

Laleh Khadivi on Who Owns a Story

By Laleh Khadivi | December 18, 2019

One Man's Literary Crusade to Uncensor Sex in America

One Man's Literary Crusade to Uncensor Sex in America

On Gershon Legman, Original Sex-Positive Hipster Intellectual

By Susan G. Davis | December 18, 2019

The Pain, Hidden in Plain Sight, of John Cheever's Darkest Work

The Pain, Hidden in Plain Sight, of John Cheever's Darkest Work

Rick Moody on Bullet Park

By Rick Moody | December 18, 2019

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Page 282 of 343
    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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