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Emerald Fennell on <em>Promising Young Woman</em> and Writing After Winning an Oscar

Emerald Fennell on Promising Young Woman and Writing After Winning an Oscar

In Conversation with Gemma Cairney at the Hay Fest Winter Weekend

By The Virtual Book Channel | December 3, 2021

WATCH: Diane Exavier, Angel Nafis, Shayla Lawz, and Carols Sirah Offer Poetry and Performance

WATCH: Diane Exavier, Angel Nafis, Shayla Lawz, and Carols Sirah Offer Poetry and Performance

Hosted by Greenlight Bookstore

By The Virtual Book Channel | December 2, 2021

Jocelyn Nicole Johnson on the Ways We Replicate Thomas Jefferson’s Sins

Jocelyn Nicole Johnson on the Ways We Replicate Thomas Jefferson’s Sins

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | December 2, 2021

Rebecca Donner on Writing History in the Present Tense

Rebecca Donner on Writing History in the Present Tense

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | December 2, 2021

Kyle Lucia Wu on the Gray Areas and Confusion of Microaggressions

Kyle Lucia Wu on the Gray Areas and Confusion of Microaggressions

This Week from the Reading Women Podcast

By Reading Women | December 2, 2021

Sunjeev Sahota on Class and Belonging, in His Childhood and His Son’s

Sunjeev Sahota on Class and Belonging, in His Childhood and His Son’s

This Week on the Book Dreams Podcast

By Book Dreams | December 2, 2021

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

“Creating Lines in Response.” An Interview with Poet Tongo Eisen-Martin

By Peter Mishler | December 1, 2021

“This Is Where My Soul Is.’ James Han Mattson on Writing About Race and Fractured Identities

By Thresholds | December 1, 2021

Meg Waite Clayton on Finding New Ways to Tell Old Stories

By Jane Ciabattari | December 1, 2021

Shelley Blanton-Stroud On the Different Ways We Mythologize the Past

Shelley Blanton-Stroud On the Different Ways We Mythologize the Past

From the New Video Series Authors in the Tent, Hosted by Ona Russell

By The Virtual Book Channel | November 30, 2021

Mirion Malle: “Let's Talk About Mental Health Without Pointing Blame”

Mirion Malle: “Let's Talk About Mental Health Without Pointing Blame”

The Author of This is How I Disappear Speaks With Sophie Yanow

By Sophie Yanow | November 29, 2021

“Some People Just Treat Africa Like a Blank Canvas.” Chibundu Onuzo on Making Room for the Real in Fiction

“Some People Just Treat Africa Like a Blank Canvas.” Chibundu Onuzo on Making Room for the Real in Fiction

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 25, 2021

Aimee Bender on Creating Structure to Ward Off Writing Dread

Aimee Bender on Creating Structure to Ward Off Writing Dread

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | November 24, 2021

Maggie Nelson and Tala Madani on Fear in Artmaking and How Magic Can Save Us All 


Maggie Nelson and Tala Madani on Fear in Artmaking and How Magic Can Save Us All 


This Week from FUSE: A BOMB Podcast

By FUSE: A BOMB Podcast | November 24, 2021

Sarah Hall on Creating Female Characters with Agency

Sarah Hall on Creating Female Characters with Agency

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 24, 2021

Brendan Mathews on Writing a “Big” Book

Brendan Mathews on Writing a “Big” Book

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 23, 2021

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Page 135 of 216
    • Michael Koryta and Malcolm Kempt on Gothic Fiction and the ArcticJanuary 20, 2026 by CrimeReads
    • The Neo-Gothic Manor that Inspired Angela Tomaski's Debut NovelJanuary 20, 2026 by Angela Tomaski
    • 24 New and Upcoming Historical Novels To Look Forward To In 2026January 20, 2026 by Molly Odintz
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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