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Is <em>Pearl Harbor</em> a Film of Propaganda?

Is Pearl Harbor a Film of Propaganda?

Joseph Han in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | May 19, 2022

Chelsea Bieker on the Problematic Use of Pursuit in <em>Sleeping With the Enemy</em>

Chelsea Bieker on the Problematic Use of Pursuit in Sleeping With the Enemy

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | May 12, 2022

Leslie Jamison on the Role of the Graspy Grad Student in <em>Midsommar</em>

Leslie Jamison on the Role of the Graspy Grad Student in Midsommar

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | May 5, 2022

Maybe Don’t Try to Play the <em>Withnail & I</em> Drinking Game

Maybe Don’t Try to Play the Withnail & I Drinking Game

Adam Haslett in Conversation with Mychal Denzel Smith on Open Form

By Open Form | April 28, 2022

What Does It Mean to Cook Dinner Under Occupation? Rewatching <em>The Time That Remains</em>

What Does It Mean to Cook Dinner Under Occupation? Rewatching The Time That Remains

Randa Jarrar in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | April 21, 2022

How <em>Wolf Girl</em> Speaks to the Communal Experience of Marginalization

How Wolf Girl Speaks to the Communal Experience of Marginalization

Melissa Lozada-Oliva in Conversation with Mychal Denzel Smith on Open Form

By Open Form | April 14, 2022

Best Reviewed
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In Praise of Tobey “Mopey” Maguire, Middle School Hero

By Open Form | April 7, 2022

How Baldwin and Jenkins Capture Communal Black Love in If Beale Street Could Talk

By Open Form | March 31, 2022

What Romy and Michele's High School Reunion Teaches Us About Friendship Dynamics

By Open Form | March 24, 2022

Why <em>Moonstruck</em> Made Marie-Helene Bertino Proud to Be Italian-American

Why Moonstruck Made Marie-Helene Bertino Proud to Be Italian-American

In Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 17, 2022

Why All of Ashley C. Ford’s Comfort Movies Are Sad

Why All of Ashley C. Ford’s Comfort Movies Are Sad

The Author of Somebody's Daughter in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 10, 2022

Does Success Justify Abandonment? Min Jin Lee on <em>Cinema Paradiso</em> and the Artist's Life

Does Success Justify Abandonment? Min Jin Lee on Cinema Paradiso and the Artist's Life

The Author of Pachinko in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 3, 2022

Why <em>Arrival</em> Looks So Different After COVID-19

Why Arrival Looks So Different After COVID-19

Ilana Masad in Conversation with Mychal Denzel Smith on Open Form

By Open Form | October 21, 2021

José Vadi on Race and Class Politics in <em>The Fugitive</em>

José Vadi on Race and Class Politics in The Fugitive

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | October 14, 2021

Téa Obreht on Mrs. Danvers, <em>Rebecca</em>’s Lesbian Feminist Hero

Téa Obreht on Mrs. Danvers, Rebecca’s Lesbian Feminist Hero

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | October 7, 2021

Melissa Febos on Why <em>Labyrinth</em> Is a Queer Film

Melissa Febos on Why Labyrinth Is a Queer Film

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | September 30, 2021

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