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Exposing the COVID Capitalists and Thieves Who Got Rich While We Got Sick
J. David McSwane in Conversation with Andrew Keen
April 13, 2022
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Can Only Rich People Afford to Think Big, Chase Dreams, and Build Community?
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April 13, 2022
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Miss Pearly’s Girls
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A Family Saga of Secrets and Powerful Women
April 13, 2022
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Lulu Miller on Heartbreak and Getting a Little Emo on the Page
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Here is the 2022-23 class of Cullman Center Fellows.
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Tokyo’s Manuscript Writing Cafe won’t let you leave until you finish your novel.
April 12, 2022
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New beer label bravely battles book banning (I have a new favorite beer).
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21 new books hitting shelves this week.
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Rewatching Zelensky’s
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Sonya Bilocerkowycz on the Potency of Narrative in Ukrainian Political Life
April 12, 2022
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Mary Laura Philpott on Facing the Unexpected and Absurd with Humor
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The Annotated Nightstand: Melissa Chadburn on the Books She’s Reading Now and Next
The First in a New (at Lit Hub) Series by Diana Arterian
April 12, 2022
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Why the Color Red Carries so Much Weight in Film and Literature
James Fox: “Red is the body made color, and at times color made body.”
April 12, 2022
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Nature Writing is Survival Writing: On Rethinking a Genre
Michelle Nijhuis Thinks It’s Time for Some New Perspectives
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Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers
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The High Stakes of Textbooks: On the Necessity of Complex, Inclusive History Lessons
Elizabeth Alexander on Resisting the Siren Song of Triumphal Black History
April 12, 2022
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How the Toxic Waters of Niagara Falls Poisoned a Community
Keith O'Brien on Outrage and Resilience In Upstate New York
April 12, 2022
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“The Page is So Flat, and ASL is So Not.” Sara Nović on the Limitations of Prose
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How Indigenous Societies Fought to Preserve Their Blended Gender Identities in the Face of Colonialism
Gregory D. Smithers on Anticolonialism and Resistance to Binaries
April 12, 2022
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