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Emily St. John Mandel on the Narrative Possibilities of Time Travel
The Author of
Sea of Tranquility
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April 19, 2022
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How Did Shakespeare Kill (And Heal) His Characters?
Kathryn Harkup on the Many Ways To Live and Die on the Elizabethan Stage
April 19, 2022
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An Inside Look at Judith Jones’ First Notes for Julia Child
From the Language of Cooking to Troubles with the Omelette
April 19, 2022
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Adrienne Celt on Losing Her Creative “Rival” Too Soon
Memories of Grad School and Ambition, Death and Regret
April 19, 2022
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How to Fictionalize New Technology Even As It’s Constantly Changing
Claire Stanford on a Novelist's Approach to Tech
April 19, 2022
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Should We Relish a “Post-Human” Future in Which We Will Be Able to Fully Empathize with the Natural World?
Steven Kotler in Conversation With Andrew Keen
April 19, 2022
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What Does It Mean to Understand Pain?
Haider Warraich Considers the Complexity and Meanings of Chronic Pain
April 19, 2022
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The Annotated Nightstand: What Tajja Isen is Reading Now and Next
A New (at Lit Hub) Series by Diana Arterian
April 19, 2022
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Rules, Rituals, and Laws of Emotion in the Hebrew Bible
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Survival, Drag, and Drag as Survival: Readings by Tarriona Tank Ball, Andrew Yoon, and Ryan Skaryd
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April 19, 2022
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Revenge of the Scapegoat
Caren Beilin
April 19, 2022
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Lessons from the Edge
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April 19, 2022
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Pour one out for the oldest children’s bookstore in Boston.
April 18, 2022
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The Digital Age is Destroying Us
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April 18, 2022
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The Bardo of Widowhood: Considering Kathryn Davis’s Meditations on Grief
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April 18, 2022
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The Impossible, Crucial Task of Teaching About Rape as a Survivor
Emily Van Duyne on Navigating Stories that Institutions Ignore
April 18, 2022
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Where Are All the Matriarchies in Fiction?
G.R. Macallister on a Curiously Neglected Subgenre
April 18, 2022
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“The Broken Fields Mended.” A Poem by Roger Reeves
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Best Barbarian
April 18, 2022
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