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Meet this year’s group of United States Artists Writing Fellows.
January 24, 2023
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The first reviews of
Cat Person: The Movie
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January 24, 2023
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Lit Hub Daily: January 24, 2023
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19 new books to get at your local indie right now.
January 24, 2023
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For Aleksandar Hemon, Writing is a Search for a Form That Doesn’t Yet Exist
The Author of
The World and All That It Holds
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January 24, 2023
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Inside the Picture Perfect—and Highly Lucrative—Business of Book Styling
Chiara Dello Joio Digs into the Contradictions of Books as Décor
January 24, 2023
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In Defense of Whimsy, Nonsense, and Barbaric Balderdash in Children’s Books
Tim DeRoche on the Value of a Long-Neglected Genre of Kid Lit
January 24, 2023
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“The Future Belonged to the Showy and the Promiscuous.” How Edith Wharton Foresaw the 21st Century
Emily J. Orlando on the Writer’s Enduring Relevance and Foresight
January 24, 2023
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Rebekah Borucki on True Inclusion in Book Publishing
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Sheep Shearing in the 21st Century: Craft or Career?
Peggy Orenstein on the Challenges and Changes to Contemporary Agricultural Work
January 24, 2023
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Our Real Existential Medical Crisis? Dr. Robert Pearl on How the US Healthcare System Deeply Resistant to Innovation
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Why Publishing Mogul Stephen Rubin Remains Cheerful… Even If 85% of Books Could Have Been Written by a Chatbot
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V. V. Ganeshananthan on the Role of Medicine in Her Novel
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The End of Drum-Time
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January 24, 2023
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You can now watch
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January 23, 2023
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The boygenius book club: 48 books the indie rockers think you should read.
January 23, 2023
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Blair Braverman: What Does Survival Mean?
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January 23, 2023
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“Just Go Back to the Work.” Filmmaker Lizzie Gottlieb on Documenting the Remarkable Partnership Between Her Father and Robert Caro
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January 23, 2023
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May 22, 2025
On Trump, fascism, and Hannah Arendt’s essay, “Lying in Politics”
Essex Hemphill’s (profane, transgressive, sexy, bold) poetic legacy
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