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Out of the Shadows: On the Forgotten Mothers of the Occult
Lisa Kröger and Melanie R. Anderson on the Women Behind Ouija and Tarot
October 31, 2022
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“How Do They Explain Themselves to Themselves?” Stacey D’Erasmo on Writing a Financial Crime Novel
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October 31, 2022
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Andrea Bartz on Trusting the Craft You Already Know
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October 31, 2022
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AudioFile’s Best Audiobooks of October
The Month in Literary Listening
October 31, 2022
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Listen to Chapters 13 and 14 of
Dracula
“I pity your poor bleeding heart."
October 31, 2022
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Now is Not the Time to Panic
by Kevin Wilson, Read by Ginnifer Goodwin, and a Note by Kevin Wilson
A Novel and Performance to Savor
October 31, 2022
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“Concerning Those Who Have Fallen Asleep”
Adam Soto
October 31, 2022
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How to Come to Terms With Troubling Ancestors
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THE BEST OF THE LITERARY INTERNET
October 29, 2022
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7 stone-faced writers accompanied by perfect cuties.
October 28, 2022
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Carl Phillips on the Value of Silence for Writers
“Sometimes the problem is that we’re trying too hard.”
October 28, 2022
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What Should You Read Next? Here Are October’s Best Reviewed Books
Featuring New Titles by Celeste Ng, George Saunders, Paul Newman, Annie Ernaux, and More
October 28, 2022
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The Birth of Emma K.
Zsolt Láng (trans. Owen Good and Ottilie Mulzet)
October 28, 2022
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What I Write in My Journal is Just for Me (It is Not My Memoir)
Jeanna Kadlec on Writing, Memory, and Trusting Yourself
October 28, 2022
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Paul Newman on the “Lusty Time” He Had Filming
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“For us, the promise of everything was there from the beginning.”
October 28, 2022
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When Awe Meets Narrative: On Chasing Local Folklore at the Edge of the Ocean
In Which Emily Urquhart Explores Villain/Helper Tropes in a Small Maritime Town
October 28, 2022
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The Literary Film and TV You Need to Stream in November
Settle In, It’s Going to Be a Long Winter
October 28, 2022
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A Sense of Belonging: Inside the Only U.S. School Dedicated to Teaching Refugee Girls
Jessica Lander on the Essential, Challenging Work of the Global Village Project
October 28, 2022
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Either/Or… Neither? Looking Beyond the False Binaries of the Catastrophist Present
Andrew Keen is Wondering How Much Room There is For Gray
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