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José Olivarez on Translation and Transformation in Poetry
On His New Collection
Promises of Gold
March 6, 2023
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What It’s Like To Write About the Same Characters For Over a Decade
Rachel Joyce on Worldbuilding Across a Trilogy and Finally Letting Go
March 6, 2023
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Rosie Collington on How the Consulting Industry Weakens Businesses, Infantilizes Governments, and Warps Our Economies
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“Bliss”
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March 6, 2023
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How a Middle School Piano Lesson Helped Me Write My Book
Ilyon Woo on Frederic Chopin’s Fantasie Impromptu and Lessons of the Past
March 6, 2023
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Michael G. Long on Why Jackie Robinson’s Political Legacy is at Least as Important as His Sporting One
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“The Life of the Palm and the Breast”
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March 6, 2023
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Ashley Recanati on Protecting Your Job From the “Smart” Machines of the AI Revolution
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The Gospel of Orla
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Chris Shipley on How to Empower the Workforce in Our Post-COVID World
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Lit Hub Weekly: February 27–March 3, 2023
THE BEST OF THE LITERARY INTERNET
March 4, 2023
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Tracey Rose Peyton: Exploring Six Stories of Motherhood for Enslaved Women
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The Day Explorers Finally Found One of the World’s Great Lost Shipwrecks
A Century After Ernest Shackleton’s Death, The Endurance Reveals Itself
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What If? Lidia Yuknavitch on Her Philosophy of Teaching
“What is a writer in these times? How do we share the space of writing and making art?”
March 3, 2023
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Lithub
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July 29, 2025
On Marshall McLuhan’s prescient warning about the electronic world
Richard Brody makes the case for the traditional review
The “cursed” attempts at translating
José Donoso’s
The Obscene Bird of Night
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