Can a Movie Both Cause Harm and Have Merit? Reckoning with My Love for The Whale
What Do We Do When We Like a Movie That Causes Pain?
Interview with an Indie Press: Catalyst Press
On Subverting Expectations of African Literature and Cultivating Magic
Reinier de Graaf on How Our Cities and Buildings Have Been Infected by Corporate “Wellness,” “Innovation,” and “Livability”
In Conversation with Andrew Keen on Keen On
Yes, Sydney, Australia in the 1960s Was the Drag Capital of the World
Amid Deep-Rooted Homophobia, Titillating and Fantastically Glamorous Shows Were Annual Events
The Brave Women Who Saved the Collected Texts of Hildegard of Bingen
Janina Ramirez on the Rescue of a Priceless Manuscript in Post-War Germany
Andrea Dunlop on Why Today is Such a Rage-Inducing Moment to Be a Woman
In Conversation with Andrew Keen on Keen On
Corie Adjmi on Her Guilt at Writing About “Flawed” Jewish Characters
In Conversation with Andrew Keen on Keen On
Stephen Marche on the Truth About Writerly Perseverance
“The sources of writerly perseverance are mostly silly.”
Robert Pickering on the Rights and Wrongs of Banks and Bankers
In Conversation with Andrew Keen on Keen On
Personhood, Privilege, and the Virtual: Lavanya Lakshminarayan on Her New Dystopian Novel
In Conversation with Brenda Noiseux and Rob Wolf on the New Books Network
Of War and Capitalism: The Debate About All Quiet on the Western Front Goes All the Way Back to the Book
Bruce Krajewski on the Criticism of Erich Maria Remarque’s 1929 Novel and Its Oscar-Nominated Adaptation
Revelations of Language: On Prose Poetry and the Beauty of a Single Sentence
Nick Ripatrazone Looks at Journals Dedicated to the Prose Poem
Page 403 of 1855
