April 14 – 18, 2024
- The relationship between Kafka and Kurdish
- An interview with Robert Crumb biographer Dan Nadel
- What AI means for music
- Close
to the Lithub Daily
Thank you for subscribing! Support Lit Hub.
“Marsha: What’s the most perverse thing you’ve ever done? Vincent: Sexually? Marsha: Of course sexually. Vincent: Going to bed with a pair of twins and an animal.”
“If writing had a logo, it’d be the anchor, the quicksand easy chair, but from the minute I shook David’s hand we didn’t stop. We hit his class, then rolled into the car keys, sodas, strangers, and hotel rooms of a road-trip movie. Airports and taxis and the eerie sensation of knowing your feet have stood in different cities in the morning and afternoon.”
“White everywhere. Mist so thick it obliterates colors and edges. Up on the quarterdeck, our captain looks like an artist’s afterthought.”
“Elfrieda is so thin, her face so pale, that when she opens her eyes it is like a surprise attack, like one of those air raids that turns night to day. I ask her if she remembers that time she and I sang a really slow aching version of “Wild Horses” for a group of elderly Mennonite nursing home residents.”