TODAY: In 1866, anarchist Voltairine de Cleyre, known for being a prolific writer and speaker, and opposing capitalism, the state, marriage, and the domination of religion over sexuality and women’s lives, is born. 

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“This distinction between ‘entertainment’ and ‘literature’ was not meaningful, not at the highest levels.” George Saunders on GogolJohnny Tremain, and following the magic • How Virginia and Leonard Woolf remembered their war dead: a look at one of Hogarth Press’ earliest printings • Herman Melville Did a Thing, or: A 100% super-real artifact of self-promotion from the author of Moby-Dick • Eight short stories about long-distance running to read when you don’t feel like actually running a long distance • The adaptation of Elena Ferrante’s My Brilliant Friend is exactly what we need right now: slow TV • On the tenacity and bravery of Marie Colvin, legendary war reporter • Co-parenting with Lord Byron was as weird as you’d think it would be • Do women have better sex under socialism? Kristen R. Ghodsee on the inextricable tangle of sex, money, and women’s independence • Marina Benjamin’s adventures in insomnia • “He was not an illustrator, nor was he a filmmaker; he was a writer and, importantly, a reader”: Tyler Malone, Rion Amilcar Scott, and Nikesh Shukla remember Stan Lee • Putting the “author” back in “authority”: Ralph Ellison, Toni Morrison, Vladimir Nabokov and others unpack their own famous works • “Wouldn’t it be great to directly perceive the warping of space-time?” Astronomer Chris Impey anticipates our telescopic desires • Write a really bad first draft, and more advice from the National Book Foundation’s 5 Under 35 • Samantha Harvey on the melancholy of reverse narratives • Announcing the winner of the Restless Books New Immigrant Writing Prize • Jonathan Franzen’s 10 rules for novelists, only some of which make us sad • Huda Al-Marashi on her parents’ arranged marriage, and why she wanted something different • “Hatred could not justify child murder, but fear could.” How America remembers Emmett Till • Who’s afraid of communist writers? On the CIA-Soviet culture wars that shaped American art • When Amy Hempel’s dog was briefly reincarnated • On Fiction/Non/Fiction, Edmund White and Lit Hub’s own Emily Temple discuss literary feuds, social media-as-equalizer, and our appetite for drama • Nimmi Gowrinathan on the myth of Stockholm Syndrome and women guerrilla fighters

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“It’s an accepted fact that all writers are crazy; even the normal ones are weird.” Remembering William Goldman’s brilliant screenwriting career • Ellie Alexander recommends five boozy mysteries to sip on late into the evening • Time to brush up on your Golden Age classics with Neil Nyren, as he takes us on a tour through New Zealand crime writer Ngaio Marsh’s life and work •  Gabino Iglesias on the 10 weirdest crime novels you probably haven’t read • From Sherlock the outsider, to Sherlock the community builder, to Sherlock the literary pastiche, a look at the many interpretations of Conan Doyle’s ever-popular character • “I think your own instincts will tell you when it’s time to run.” And other very good advice from Liane Moriarty • Emily Littlejohn recommends 7 mystery novels that seamlessly blend fairy tales and felonies • From mysterious hotel deaths to spies in the cold to scandals in Scandinavia: your guide to November’s essential true crime books • Crime and the City goes to Edinburgh and celebrates a long and robust crime fiction tradition that’s more than just Rebus • From the 1930s to the present day, J. Kingston Pierce delivers a brief history of the many and dogged reporters of crime fiction • Crime writers Amy Stewart and Molly Tanzer talk historical fiction, murder mysteries, and present-day politics • Lawyer and crime writer Allen Eskens on capturing the complexities of addiction in crime fiction • Radha Vatsal on The Woman in White, the sensation novel, and the origins of the modern psychological thriller • Get started on your Thanksgiving binge-watching early, with this guide to the best crime cinema new to streaming • MR Carey takes a look at which genres play well with crime fiction—and which are the trickiest to combine • The human condition is the greatest mystery of all: an interview with David Grann

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