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Technology
On the Literature of Cyborgs, Robots, and Other Automata
From Mechanical Ducks to Mythic Metal Giants
By
Michael Peck
| April 21, 2016
A Way Forward for Literary Activism in the Digital Age
Moving Beyond the the Binary of "With Us or Against Us"
By
Christopher Soto
| April 18, 2016
How Science Fiction Redefines Who We Are, and What We're Becoming
On Technology and the Reinvention of Selfhood
By
Steve Toutonghi
| April 18, 2016
How Teju Cole Helped Me Make Peace With the Nigerian Scam Artist
Ijeoma Oluo on Reconciling her Nigerian-American Identity
By
Ijeoma Oluo
| April 15, 2016
On Fandom, Obsessions, and the World Wide Web
Justin Tussing Recalls the Time He Helped Collate Pictures of Xena
By
Justin Tussing
| April 12, 2016
How to Make Friends With an Animal On Facebook
Alexander Pschera on the Digital Closeness Between Humans and Animals
By
Alexander Pschera
| April 8, 2016
Best Reviewed
Books of the Week
Can the "Literary" Survive Technology?
By
Sven Birkerts
| April 8, 2016
Thomas Piketty: Why Save the Bankers?
By
Thomas Piketty
| April 5, 2016
The Modern Sisyphus: Albert Camus Goes Online
By
Michael Seidlinger
| March 18, 2016
How Social Networks Play Favorites
The Hidden Forces Behind Going Viral
By
Jacob Silverman
| March 16, 2016
We Are Being Watched
Bryan Hurt on privacy, surveillance, and the watchful eye of fiction
By
Bryan Hurt
| March 2, 2016
What Do Writers Owe Readers?
When the Digital Mailbag Gets Too Full
By
Kate Tuttle
| November 2, 2015
TFW You Realize Maybe David Markson Invented Twitter
Or: The Accidental Diorama of a Novelist’s Life
By
Mary Duffy
| September 16, 2015
The Dark Net
Jamie Bartlett
By
Lit Hub Excerpts
| June 22, 2015
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Page 62 of 62
Lethal Luxury: 6 Novels Set in Decadent Locales
September 17, 2026
by
Alex Hay
The Best Psychological Thrillers of the Month: September 2026
September 17, 2026
by
Molly Odintz
Abby Geni on Mental Hit Lists, Viking Culture, and the Complexity of Empathy
September 17, 2026
by
Abby Geni
The Best Reviewed Books of the Week
"A bold and arresting departure from Cline s earlier work Though em Switzy em can…"