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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Film and TV
Why All of Ashley C. Ford’s Comfort Movies Are Sad
The Author of
Somebody's Daughter
in Conversation with Mychal Denzel Smith on
Open Form
By
Open Form
| March 10, 2022
Ben Affleck just looks confused in the trailer of
Deep Water
.
By
Dan Sheehan
| March 8, 2022
Here’s
Fire Island
, the star-studded, gay adaptation of
Pride and Prejudice
.
By
Walker Caplan
| March 8, 2022
Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel
"Writing a TV show is a team sport from day one."
By
Amanda Pellegrino
| March 8, 2022
It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood
“For the first time, I’m finally getting film roles where my character’s name is Korean.”
By
Jeff Yang, Phil Yu, and Philip Wang
| March 7, 2022
Reading Rainbow is coming—this time, without LeVar Burton.
By
Walker Caplan
| March 4, 2022
Best Reviewed
Books of the Week
The Literary Film and TV You Need to Stream in March
By
Eliza Smith
| March 4, 2022
Joachim Trier Isn’t Afraid of Virginia Woolf
By
Meg Walters
| March 4, 2022
Does Success Justify Abandonment? Min Jin Lee on
Cinema Paradiso
and the Artist's Life
By
Open Form
| March 3, 2022
Kathryn Davis on Bingeing
Lost
and Coming to Terms with the Unknowable
“There is unearthly howling. There is a hatch leading who knows where.”
By
Kathryn Davis
| March 2, 2022
Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)
By
Walker Caplan
| March 1, 2022
Petroleum and Patriarchy: How Art Functions in
Written on the Wind
and
Giant
Laura Valenza on the Subversive Power of (Over-the-Top) Artwork
By
Laura Valenza
| March 1, 2022
Harvey Fierstein on the Best Late Night Hosts He Ever Worked With
The
Hairspray
Star Recounts His Tell Alls, from
The Tonight Show
to
20/20
By
Harvey Fierstein
| March 1, 2022
Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton
In Conversation with Christopher Hermelin on
So Many Damn Books
By
So Many Damn Books
| March 1, 2022
Just a reminder that Haruki Murakami’s
Drive My Car
is coming to streaming in March.
By
Walker Caplan
| February 28, 2022
Is Adaptation a Feminine Act? On the Women Writers Who Worked on
Alfred Hitchcock Presents
Annie Berke on the Writers Who “Hijacked” the Gender Politics of Their Source Materials
By
Annie Berke
| February 28, 2022
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Page 43 of 88
7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"