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  • Craft and Criticism
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EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

From Season Three of Poetry in America

By The Virtual Book Channel | March 11, 2022

<em>Abbott Elementary</em> is bringing free book fairs to underfunded schools.

Abbott Elementary is bringing free book fairs to underfunded schools.

By Literary Hub | March 10, 2022

Why All of Ashley C. Ford’s Comfort Movies Are Sad

Why All of Ashley C. Ford’s Comfort Movies Are Sad

The Author of Somebody's Daughter in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 10, 2022

Ben Affleck just looks confused in the trailer of <em>Deep Water</em>.

Ben Affleck just looks confused in the trailer of Deep Water.

By Dan Sheehan | March 8, 2022

Here’s <em>Fire Island</em>, the star-studded, gay adaptation of <em>Pride and Prejudice</em>.

Here’s Fire Island, the star-studded, gay adaptation of Pride and Prejudice.

By Walker Caplan | March 8, 2022

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

"Writing a TV show is a team sport from day one."

By Amanda Pellegrino | March 8, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

By Jeff Yang, Phil Yu, and Philip Wang | March 7, 2022

Reading Rainbow is coming—this time, without LeVar Burton.

By Walker Caplan | March 4, 2022

The Literary Film and TV You Need to Stream in March

By Eliza Smith | March 4, 2022

Joachim Trier Isn’t Afraid of Virginia Woolf

Joachim Trier Isn’t Afraid of Virginia Woolf

Meg Walters on the Woolfian Spirit of The Worst Person in the World

By Meg Walters | March 4, 2022

Does Success Justify Abandonment? Min Jin Lee on <em>Cinema Paradiso</em> and the Artist's Life

Does Success Justify Abandonment? Min Jin Lee on Cinema Paradiso and the Artist's Life

The Author of Pachinko in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 3, 2022

Kathryn Davis on Bingeing <em>Lost</em> and Coming to Terms with the Unknowable

Kathryn Davis on Bingeing Lost and Coming to Terms with the Unknowable

“There is unearthly howling. There is a hatch leading who knows where.”

By Kathryn Davis | March 2, 2022

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

By Walker Caplan | March 1, 2022

Petroleum and Patriarchy: How Art Functions in <em>Written on the Wind</em> and <em>Giant</em>

Petroleum and Patriarchy: How Art Functions in Written on the Wind and Giant

Laura Valenza on the Subversive Power of (Over-the-Top) Artwork

By Laura Valenza | March 1, 2022

Harvey Fierstein on the Best Late Night Hosts He Ever Worked With

Harvey Fierstein on the Best Late Night Hosts He Ever Worked With

The Hairspray Star Recounts His Tell Alls, from The Tonight Show to 20/20

By Harvey Fierstein | March 1, 2022

Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton

Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | March 1, 2022

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Page 43 of 88
    • I’m 13 Years Late to The Amazing Spider-Man and I Have ThoughtsNovember 7, 2025 by Olivia Rutigliano
    • The Best Psychological Thrillers of November 2025November 7, 2025 by Molly Odintz
    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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