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In Case You Need Reminding, a Book is Not a Baby

In Case You Need Reminding, a Book is Not a Baby

Ayden LeRoux on Abandoning the Ubiquitous Language of Parenting

By Ayden LeRoux | September 15, 2020

War, Anonymity, and the Dangerous Line Between Truth and Fiction

War, Anonymity, and the Dangerous Line Between Truth and Fiction

Eva Nour on the Writer's View of the Syrian Regime

By Eva Nour | September 14, 2020

Cherie Dimaline on Representing Native Youth in Her Work

Cherie Dimaline on Representing Native Youth in Her Work

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 14, 2020

Ayad Akhtar on Finding a Voice to Address the American 'Us'

Ayad Akhtar on Finding a Voice to Address the American 'Us'

From Beyond the Page: The Best of the
Sun Valley Writers' Conference

By Sun Valley Writers' Conference | September 14, 2020

To Imagine Life Post-Climate Change: A Conversation with Diane Cook

To Imagine Life Post-Climate Change: A Conversation with Diane Cook

Amanda Goldblatt Talks to the Author of The New Wilderness

By Amanda Goldblatt | September 11, 2020

Did a Revolution in Latin American Publishing Make <em>One Hundred Years of Solitude</em> the Success It Is Today?

Did a Revolution in Latin American Publishing Make One Hundred Years of Solitude the Success It Is Today?

Álvaro Santana-Acuña on the Latin American and Spanish Booms of the 1960s

By Álvaro Santana-Acuña | September 11, 2020

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Daniel Mendelsohn on How Greek Tragedy Speaks to Our Present Moment

By The Quarantine Tapes | September 11, 2020

Alka Joshi on the Surprise of Becoming a Debut Novelist at 62

By The Literary Life | September 11, 2020

Premee Mohamed Is Not a
'New' Writer

By New Books Network | September 11, 2020

Matthew Salesses on How Profound Loss Changed the Shape of His Novel

Matthew Salesses on How Profound Loss Changed the Shape of His Novel

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 10, 2020

Maaza Mengiste on How Writing and Justice Are Intertwined

Maaza Mengiste on How Writing and Justice Are Intertwined

From the Quarantine Tapes Podcast with Paul Holdengraber

By The Quarantine Tapes | September 10, 2020

Making Poems into Phantoms, One Broken Line at a Time

Making Poems into Phantoms, One Broken Line at a Time

Adam O. Davis Finds Ghostly Relics in His New Collection

By Adam O. Davis | September 10, 2020

Karolina Waclawiak on Her Obsession with Death Doulas

Karolina Waclawiak on Her Obsession with Death Doulas

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 10, 2020

WATCH: Rhett Miller Covers the Great American Songbook

WATCH: Rhett Miller Covers the Great American Songbook

Episode Seven of the Mighty SONG Writers Video Series

By Literary Hub | September 9, 2020

Zinzi Clemmons on Cutting Away the Obvious

Zinzi Clemmons on Cutting Away the Obvious

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | September 9, 2020

Annette Saunooke Clapsaddle on Writing Place Without Invoking Stereotypes

Annette Saunooke Clapsaddle on Writing Place Without Invoking Stereotypes

In Conversation with Kendra Winchester on
the Reading Women Podcast

By Reading Women | September 9, 2020

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Page 267 of 350
    • Iceland Noir: A Roundtable DiscussionSeptember 18, 2026 by Molly Odintz
    • Naomi Kaye on the Legacy of the Jonestown Massacre in LiteratureSeptember 18, 2026 by Naomi Kaye
    • Kisses and Killers: Kim Harrington's Favorite Rom Com MysteriesSeptember 18, 2026 by Kim Harrington
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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