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In Teaching Stories of Disaster, Hope Lies Hidden in Plain Sight

In Teaching Stories of Disaster, Hope Lies Hidden in Plain Sight

Jane Costlow on Learning at a Distance During a Pandemic

By Jane Costlow | April 24, 2020

Book Tour in the Early Days<br> of Coronavirus

Book Tour in the Early Days
of Coronavirus

Gabriel Bump on the Surreality of Recent History

By Gabriel Bump | April 23, 2020

Writing as Code-Switching for the Socially Anxious

Writing as Code-Switching for the Socially Anxious

Mai Tran on Art and Ego

By Mai Tran | April 23, 2020

An Yu: Stuck in New York Because of Coronavirus, Thinking of Beijing

An Yu: Stuck in New York Because of Coronavirus, Thinking of Beijing

How Distance Clarifies Our Memories

By An Yu | April 22, 2020

How Did Writers Survive the <br>First Great Depression?

How Did Writers Survive the
First Great Depression?

Jason Boog Looks Back to Figure Out How to Go Forward

By Jason Boog | April 20, 2020

Brief Variations on the Writer's Life

Brief Variations on the Writer's Life

Roger Rosenblatt Approaches the Writer's Task from Unexpected Angles

By Roger Rosenblatt | April 17, 2020

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World

We Owe More to Our Young Writers: On the Relevance of the Workshop

By Ru Freeman | April 16, 2020

Rowan Hisayo Buchanan and T Kira Madden on Craft, Candles, and Character

By Literary Hub | April 16, 2020

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | April 14, 2020

My Writing Schedule is for Satisfaction, Not Fun

My Writing Schedule is for Satisfaction, Not Fun

A No-Frills Look at Elizabeth George's Routine

By Elizabeth George | April 10, 2020

Emily Gould on How (and Why) to Keep Writing When Writing Feels Pointless

Emily Gould on How (and Why) to Keep Writing When Writing Feels Pointless

"Why do any of this?"

By Emily Gould | April 9, 2020

Writing From Within the Rosenberg Family Legacy

Writing From Within the Rosenberg Family Legacy

Ellen Meeropol on the Novel That Took Two Decades to Write

By Ellen Meeropol | April 9, 2020

How To Write a Novel When Everyone You Love Might Be Losing It

How To Write a Novel When Everyone You Love Might Be Losing It

Rowan Hisayo Buchanan on Negotiating Wellness and Sickness

By Rowan Hisayo Buchanan | April 8, 2020

The Case for Teaching Depressing Books

The Case for Teaching Depressing Books

Sahar Mustafah on the Literature of Empathy and Action

By Sahar Mustafah | April 7, 2020

My Dystopian Fiction Longs for a Better World

My Dystopian Fiction Longs for a Better World

Veronica Roth on Pessimism, Optimism. . . and Schitt's Creek

By Veronica Roth | April 6, 2020

How to Organize Your <br>Home Office

How to Organize Your
Home Office

Pre-Pandemic Advice for Post-Pandemic Life

By Ronda Kaysen and Michelle Higgins | April 3, 2020

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    • How Jane Austen Influenced Modern Detective FictionMay 12, 2026 by Lucy Andrews
    • Tiffany Hanssen on Tony Soprano, Writing Antiheroes, and Fictionalizing Family MembersMay 12, 2026 by Gabrielle Bellot
    • David Bergen on Patricia Highsmith, Backstories, and Why Tom Ripley's Character WorksMay 12, 2026 by David Bergen
    • The Things We Never Say
    • The Best Reviewed Books of the Week
    • "She s not a minimalist but Elizabeth Strout does more with less than any writer…"
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