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Yes, She Reads Everything: Pico Iyer on Annie Dillard

Yes, She Reads Everything: Pico Iyer on Annie Dillard

A Writer Furiously Alive and Impossible to Anticipate

By Pico Iyer | March 10, 2016

On the Deep Disquiet of Finishing Your Book

On the Deep Disquiet of Finishing Your Book

Fernando Pessoa, Joy Williams, and the gap between writing and publishing

By Jonathan Lee | March 8, 2016

The Things We Do to Promote the Books We Write

The Things We Do to Promote the Books We Write

Summer Brennan on Publicity, Social Media, and Marlon James, Chef

By Summer Brennan | March 8, 2016

Hidden Stories and Historical Half-truths: Lies Your Ancestors Told You

Hidden Stories and Historical Half-truths: Lies Your Ancestors Told You

On history, heritage, and whitewashing

By Anita Huslin | March 7, 2016

The Diminishing Returns of Freelance Magazine Writing

The Diminishing Returns of Freelance Magazine Writing

Kent Russell on "Beautifying Your Own Corpse"

By Kent Russell | March 3, 2016

Dear Rick Moody: Should I Tell Them I Love Them?

Dear Rick Moody: Should I Tell Them I Love Them?

Rick Moody, Life Coach, on the Deep Bone Sadness of Unrequited Love

By Rick Moody | February 26, 2016

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Secrets of the Book Designer: Falling in Love With a Book, Taking a Risk

By Janet Hansen | February 25, 2016

Walt Whitman is Dead, I'm Divorced, and the Universe Goes On

By J. Aaron Sanders | February 25, 2016

Why I Became a Travel Writer

By John Gimlette | February 24, 2016

When Art Cannot Console Us in Death

When Art Cannot Console Us in Death

Emily Harnett on the Hard Art of the Death Memoir

By Emily Harnett | February 17, 2016

Why Does Art Happen in Pairs?

Why Does Art Happen in Pairs?

Or What To Do When a Novel Just Like Yours Comes Out First

By Drew Nellins Smith | February 12, 2016

What Makes Something Funny?

What Makes Something Funny?

Stuart Evers on Why Jokes Make the Best Weapons

By Stuart Evers | February 12, 2016

A Bikini, a Toothbrush, and 44 Issues of <em>The New Yorker</em>

A Bikini, a Toothbrush, and 44 Issues of The New Yorker

In Which Summer Brennan Attempts to Catch Up On a Year's Reading

By Summer Brennan | February 11, 2016

How to Write What You <em>Don't</em> Know

How to Write What You Don't Know

Amy Gustine on the Deep Research Behind Good Fiction

By Amy Gustine | February 10, 2016

When a Self-Declared Genius Asks You to Read His Masterpiece

When a Self-Declared Genius Asks You to Read His Masterpiece

In a Letter to a Total Stranger, Why I Read What I Read

By Jeff Sharlet | February 4, 2016

Writing, Traveling, and the Creative Act

Writing, Traveling, and the Creative Act

Suzanne Joinson: Dispatches from Israel, Azerbaijan, and a Deer Park in Beijing

By Suzanne Joinson | February 4, 2016

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    • 10 New Books Coming Out This WeekJanuary 12, 2026 by CrimeReads
    • The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant TodayJanuary 12, 2026 by Margot Douaihy
    • The Deadly Art of Falling in Love: Blending Romance and Crime in LiteratureJanuary 12, 2026 by Letizia Lorini
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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