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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Memoir
Telling the Story of (the Real) Greenwich Village
Michele Herman on a Disappearing Way of Life
By
Michele Herman
| March 18, 2022
Diana Abu-Jaber on How Life Begins Each Time You Find a New Place
In Conversation with Mitchell Kaplan on
The Literary Life
Podcast
By
The Literary Life
| March 18, 2022
The Life and Death of a Cutting Edge Literary Journal, c. 1989
Kurt Hollander on Publishing
The Portable Lower East Side
By
Kurt Hollander
| March 17, 2022
On Apocalypse Art, Climate Divination, and
The Blob
Molly Gallentine's Summer of Professionally Contemplating the End of Humanity
By
Molly Gallentine
| March 17, 2022
Liz Scheier on Comedy as a Survival Skill
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| March 17, 2022
Lily Dunn Reads from Her Memoir,
Sins of My Father
From Damian Barr’s
Literary Salon
Podcast
By
Damian Barr's Literary Salon
| March 16, 2022
Best Reviewed
Books of the Week
No Place You’d Want to Go: On Writing About Flint
By
Kelsey Ronan
| March 15, 2022
Diana Abu-Jaber: “Among the Bedouins, a Knife is Never Just a Knife.”
By
Diana Abu-Jaber
| March 15, 2022
Maya Lee on the Unique and Fraught Position Her Mother Held During the Holocaust
By
Magda Hellinger and Maya Lee with David Brewster
| March 15, 2022
How a Secret Becomes a Story: Melissa Fu on the Importance of Listening to Elders
“There was a sense I had to write this story now. A sense that time was running out.”
By
Melissa Fu
| March 15, 2022
How To Leave the World Behind: On the Dreams of Utopian Groupies
Adrian Shirk Considers the Perpetual American Desire for Better Worlds
By
Adrian Shirk
| March 14, 2022
Making Space for Mistakes and Experiments, in Marriage and Writing
Francesco Pacifico on Writing (and Revising) Female Characters
By
Francesco Pacifico
| March 14, 2022
The Impossibility of Writing About Motherhood
Sarah Blake on Motherhood's Many Faces
By
Sarah Blake
| March 14, 2022
Finding the Kinship Between Manifestations of Creativity and Depression
Gia de Cadenet on Making Sense of the Raw Material
By
Gia de Cadenet
| March 14, 2022
John Clellon Holmes on the Funeral of His Longtime Friend Jack Kerouac
“I hoped that no one would ever mourn me so self-centeredly.”
By
John Clellon Holmes
| March 11, 2022
Austin Kleon Looks Back on the Creation of
Steal Like an Artist
, Ten Years Later
When the What-Ifs Become Real
By
Austin Kleon
| March 11, 2022
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Page 71 of 157
The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. Berry
October 24, 2025
by
Polly Stewart
Guillermo del Toro's New
Frankenstein
Adaptation is Life-Giving
October 24, 2025
by
Olivia Rutigliano
Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His Work
October 23, 2025
by
Stephen King
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"