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The Bardo of Widowhood: Considering Kathryn Davis’s Meditations on Grief

The Bardo of Widowhood: Considering Kathryn Davis’s Meditations on Grief

Howard Norman Reads Aurelia, Aurélia

By Howard Norman | April 18, 2022

The Impossible, Crucial Task of Teaching About Rape as a Survivor

The Impossible, Crucial Task of Teaching About Rape as a Survivor

Emily Van Duyne on Navigating Stories that Institutions Ignore

By Emily Van Duyne | April 18, 2022

How Losing the Tether of Language Helped Me Process Grief

How Losing the Tether of Language Helped Me Process Grief

Amanda Bestor-Siegal on Her Year in Paris

By Amanda Bestor-Siegal | April 18, 2022

A Tumultuous Love, a Plea of Chocolate Cake: “Would He Taste Me in Each Bite?”

A Tumultuous Love, a Plea of Chocolate Cake: “Would He Taste Me in Each Bite?”

Sanaë Lemoine on the Intense Pull of Young Love

By Sanaë Lemoine | April 18, 2022

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

Steve Edwards: “A story is a negotiation between what might have been, what is, and what still could be.”

By Steve Edwards | April 15, 2022

Lynn Hill on Conquering the Treacherous Climb Up El Capitan

Lynn Hill on Conquering the Treacherous Climb Up El Capitan

“We would do whatever was necessary.”

By Lynn Hill | April 15, 2022

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

“The Danger is Larger Because the Voice is Bigger.” Alexandra Billings on the Surge in Anti-Trans Legislation

By Fiction Non Fiction | April 14, 2022

Against (the Very Idea of) Procrastination

By Antonia Pont | April 14, 2022

A Promise of Who You Could Be Right Now: On the Intimacy and Illusions of A Very Young Dancer

By Tova Mirvis | April 14, 2022

“Oh My God, I Said That?” Rachel Signer on Her Uninhibited Debut Memoir

“Oh My God, I Said That?” Rachel Signer on Her Uninhibited Debut Memoir

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | April 14, 2022

Some Notes on Time, Memory, and the Artifacts We Leave Behind

Some Notes on Time, Memory, and the Artifacts We Leave Behind

Kristin Keane: “I cannot keep the arrow from moving forward.”

By Kristin Keane | April 14, 2022

Samantha Hunt on the Wild Delirium of Loving Language

Samantha Hunt on the Wild Delirium of Loving Language

“Being a human is extraordinary.”

By Samantha Hunt | April 13, 2022

Tracing the Ancestry of the Earliest Enslaved Ndongo People

Tracing the Ancestry of the Earliest Enslaved Ndongo People

Clyde W. Ford on a Story Born in Blood

By Clyde W. Ford | April 8, 2022

An Essay About Men: Considering the Inner Worlds of Those Who Are Taught to Deny Them

An Essay About Men: Considering the Inner Worlds of Those Who Are Taught to Deny Them

Holly Haworth on Robert Bly, Toxic Masculinity, and the Hole at the Center of Our World

By Holly Haworth | April 7, 2022

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 7, 2022

How Acting in True Crime Shows Allowed Me to Write the Story of My Stepsister’s Murder

How Acting in True Crime Shows Allowed Me to Write the Story of My Stepsister’s Murder

Rachel Rear on Grappling with Her Family’s Trauma, and Her Own

By Rachel Rear | April 7, 2022

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Page 70 of 158
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    • Books for the Searchers: A Criminologist's Four Favorite Crime NovelsDecember 8, 2025 by Christoffer Carlsson
    • Using Black Vampire Fiction to Explore America's Horrific PastDecember 8, 2025 by Hayley Dennings
    • House of Day, House of Night
    • The Best Reviewed Books of the Week
    • "Tokarczuk is an excellent storyteller She is very good at creating a 'sense of anticipation…"
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