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Reclaiming Power Over One’s Own Story: Aminatta Forna on Abdulrazak Gurnah

Reclaiming Power Over One’s Own Story: Aminatta Forna on Abdulrazak Gurnah

Remarks From the PEN World Voices Festival opening night

By Aminatta Forna | May 17, 2022

Spending Time in Joy Williams’s Celestial Waiting Rooms

Spending Time in Joy Williams’s Celestial Waiting Rooms

Nicole Miller on the Writer's Attention to the Boundary Between Being and Non-Being

By Nicole Miller | May 17, 2022

Emma Straub’s Advice for What to Wear to a Book Launch

Emma Straub’s Advice for What to Wear to a Book Launch

“Back to basics. Just hot dogs, babka, and gratitude for vaccines.”

By Emma Straub | May 17, 2022

Victoria Shorr on the Art of the Novella

Victoria Shorr on the Art of the Novella

”They take you—for one evening if you don't put it down, longer if you draw it out—to a place that you can see in sharp detail.”

By Victoria Shorr | May 17, 2022

On Reconnecting With My Korean Heritage Through Food

On Reconnecting With My Korean Heritage Through Food

For Peter Serpico Cooking Feels Like Coming Home

By Peter Serpico | May 17, 2022

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

The Author of Forbidden City Talks to Jane Ciabattari

By Jane Ciabattari | May 17, 2022

Best Reviewed
Books of the Week

  • Transcription
  • London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth
  • Attention: Writing on Life, Art, and the World
  • The Oyster Diaries
  • Yesteryear
  • Here Where We Live Is Our Country: The Story of the Jewish Bund

On the Politics of Caste and Feminine Joy in Satyajit Ray’s Classic Charulata

By TANAÏS | May 17, 2022

The Annotated Nightstand: What Elamin Abdelmahmoud is Reading Now and Next

By Diana Arterian | May 17, 2022

Seema Reza on the Joy of Being (Completely) Alone

By Seema Reza | May 17, 2022

How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense

How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense

Jon Mooallem in Conversation with Andrew Keen

By Keen On | May 17, 2022

Finally a History of Art That Includes Female and Non-White Artists

Finally a History of Art That Includes Female and Non-White Artists

Charlotte Mullins in Conversation with Andrew Keen

By Keen On | May 17, 2022

Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work

Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work

In Conversation with Andrew Keen

By Keen On | May 17, 2022

An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria

An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | May 17, 2022

<em>Meat Me Halfway</em> by Brian Kateman, Read by Pete Cross

Meat Me Halfway by Brian Kateman, Read by Pete Cross

On the Future of Food

By Behind the Mic | May 17, 2022

On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

Steven Toussaint Considers the Melding of Ambivalence and Political Commitment

By Steven Toussaint | May 16, 2022

Ada Limón on Why Being Witnessed Is Essential For an Artist

Ada Limón on Why Being Witnessed Is Essential For an Artist

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 16, 2022

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Page 572 of 1559
    • Nicholas George on Setting Mysteries in Dynamic LocationsApril 15, 2026 by Nicholas George
    • 5 Suspense Reads with HeartApril 15, 2026 by Allison Winn Scotch
    • On Blending Religion and Horror-ComedyApril 15, 2026 by Kathleen Rhodes
    • Transcription
    • The Best Reviewed Books of the Week
    • "As talky and thinky as a memory play sweeping up Kafka Covid glass flowers and…"
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