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Lea Ypi on Coming of Age Amid Political Upheaval

Lea Ypi on Coming of Age Amid Political Upheaval

In Conversation with Andrew Keen on Keen On

By Keen On | January 19, 2022

Excavating Emily: Janice P. Nimura on What Draws Biographers to Certain Lives

Excavating Emily: Janice P. Nimura on What Draws Biographers to Certain Lives

And Why Some Mysteries Have to Stay That Way

By Janice P. Nimura | January 19, 2022

Jo Browning Wroe Reads from <em>A Terrible Kindness</em>, a Fictional Account of the 1966 Aberfan Disaster

Jo Browning Wroe Reads from A Terrible Kindness, a Fictional Account of the 1966 Aberfan Disaster

From the 200th Episode of Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | January 19, 2022

<em>A Spindle Splintered</em> by Alix E. Harrow, Read by Amy Landon

A Spindle Splintered by Alix E. Harrow, Read by Amy Landon

A Reimagined, Fractured Sleeping Beauty

By Behind the Mic | January 19, 2022

How Humans Learned to Count, Thus Opening the World

How Humans Learned to Count, Thus Opening the World

Michael Brooks on the Surprising Sophistication of “Finger-Counting”

By Michael Brooks | January 18, 2022

The Man Who Quietly Built a Massive Archive of Artists’ Deaths

The Man Who Quietly Built a Massive Archive of Artists’ Deaths

A Report from the Archives of the Metropolitan Museum of Art

By Jim Moske | January 18, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

The Blurry Boundaries of Sibling Intimacy: A Reading List

By Sara Freeman | January 18, 2022

Michael Bazzett on the Role of Comedy in His Poetry

By First Draft: A Dialogue on Writing | January 18, 2022

Elizabeth McCracken on Anna Karenina, Yiyun Li, and Hating The Velveteen Rabbit

By Book Marks | January 18, 2022

Mallory Smart on Her Multilayered Career as an Author and Publisher

Mallory Smart on Her Multilayered Career as an Author and Publisher

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 18, 2022

Jeffrey C. Stewart on the Genesis of Alain Locke’s Transformative “New Negro Aesthetic”

Jeffrey C. Stewart on the Genesis of Alain Locke’s Transformative “New Negro Aesthetic”

"In putting race and aesthetics in conversation with one another, Locke forever changed our understanding of both.”

By Jeffrey C. Stewart | January 18, 2022

Tom Lutz of <em>Los Angeles Review of Books</em> on Criticism in the 21st Century

Tom Lutz of Los Angeles Review of Books on Criticism in the 21st Century

On a Decade of Supporting “Long, Intellectually Challenging Work”

By Literary Hub | January 18, 2022

Tea Ceremonies and Broken Robots: Readings by James Lindley, Ellie Gordon, Meghan Kemp-Gee, and Nicks Walker

Tea Ceremonies and Broken Robots: Readings by James Lindley, Ellie Gordon, Meghan Kemp-Gee, and Nicks Walker

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | January 18, 2022

How Brad Taylor Applies His Decades in the US Military to Writing Novels

How Brad Taylor Applies His Decades in the US Military to Writing Novels

In Conversation with Andrew Keen on Keen On

By Keen On | January 18, 2022

Mikhaila Peterson on Her Podcasting Journey

Mikhaila Peterson on Her Podcasting Journey

In Conversation with Andrew Keen on Keen On

By Keen On | January 18, 2022

<em>Daughter of the Moon Goddess</em> by Sue Lynn Tan, Read by Natalie Naudus

Daughter of the Moon Goddess by Sue Lynn Tan, Read by Natalie Naudus

A Lush, Sweeping Fantasy Inspired by Chinese Mythology

By Behind the Mic | January 18, 2022

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    • 5 Great Japanese Mysteries and Horror NovelsFebruary 3, 2026 by Callie Kazumi
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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